Hopefully you were tuned in the previous coupla weeks to our play-by-play campaign shooting for SanDisk in New Zealand. Well, we’re back in the states, digging out, editing and what not, and as promised, we’ve got more content from the trip to post. In this Chase Jarvis TECH, I’m responding to hordes of you who asked 1)why are you shooting so many frames? 2) why in the world are you shooting on a tripod? and/or 3)how do you create sequenced frames of the skier or snowboarder atop the stationary background?
Hope this answers all three questions and a little more. [Additional videos/links from behind the scenes in New Zealand after the jump...]
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Related videos + posts:
[Now You Know, Sandisk Extreme Pro]
[Photo Gear Mania]
[Behind The Curtain: Guts of a Commercial Shoot Video]
[Video Report From the Heliworks Barn]
[Video: Packing Quick 'n' Dirty]
[Chase Jarvis RAW: NZ Basecamp]
[UPDATED behind-the-scenes snapshot gallery]
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Related posts:
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Get my every move: Follow Chase Jarvis on Twitter
Get exclusive content: Become a Fan on Facebook
Why are you willing to share so much information about your photography? Don't you feel that the years you have spent paying your dues and working your way up are worth something?
"Why are you willing to share so much information about your photography? Don't you feel that the years you have spent paying your dues and working your way up are worth something?"
of course he does. that is exactly why he is giving it away.
i think this came from one of chase's blog posts last year on a famous photographer. it has stuck with me ever since:
if you keep something it dies with you. give it away and it grows. this makes you work harder to develop your style even further.
this is what makes photography such an incredible learning experience.
This is hot. You're giving me D3 envy. Can't wait to get my hands on the D300s soon!