About Chase

Chase Jarvis is well known as a visionary photographer, director, and social artist. He is widely recognized for re-imagining, examining, and redefining the intersection of art and popular culture through still and moving pictures. While commercial work for brands like Nike, Pepsi, Volvo, Reebok, Apple, and Red Bull have earned him recognition from the International Photography Awards, The Advertising Photographers of America, Prix de la Photographie Paris, and numerous other industry buzz centers, his recent push into personal work and fine art has rapidly gained the attention of curators and art critics, mainstream audiences, and celebrity circles worldwide. The online hub for Jarvis and his work is at http://www.chasejarvis.com. Follow him on Twitter at http://www.twitter.com/chasejarvis
Author Archive | Chase

7 Lessons Anyone [YOU] Can Learn from Macklemore & Ryan Lewis

macklemore grammysThe Grammys are a usually a lovely nightcap to the previous year’s music. Some celebration, some tension, a little drama and some nice performances. And whether or not you agree with where the Grammy Committee’s voting ended up in any category – one thing is for sure: 4 Grammy’s from Macklemore & Ryan Lewis – who to this day are not signed to a record label – is impressive. And perhaps what’s more impressive IMHO is that they built their success on their own ethos, according to their own plan, from when there were no “opportunities” coming at them from every direction.

Am I biased because I’ve known these cats for a while…Yes. Probably. (disclosure they played #chasejarvisLIVE in 2011 and first performed some of the tracks a capella at a little dinner party at my studio [video]) Yes, they are they wildly talented (Ryan’s actually a great photographer too), but IMHO that’s not what made their meteoric rise to 15x platinum and 4 Grammys possible. What made it possible was certainly some real talent BUT it’s also a handful of things they know that YOU can begin applying to your life/career/passion right now. Here’s 7 things:

1. Freedom is More Important Than Money
Sure having some baseline amount of money is helpful, but there is no denying that the freedom to say what you want through your art, to call your own shots and control your own destiny is supreme. Had M&RL not kept their independence (and the key it to keep it gracefully – no need to be an ass…), they’d be nowhere near the success that they are today. Releasing a single about marriage equality on a hip-hop album? The “label” would never have “permitted” such a thing if they weren’t independant. So whose ass are you kissing right now that you shouldn’t be? I’m banking that if you kept your freedom (and kept it positive -i’m not talking about being a grump) that the rest will follow. And this isn’t just about money really either…I’m talking about all the upside.

I’m guessing that there are decisions you could be making to keep your ability to be nimble – to play to the beat of your own drum…to scratch your own itch (even if that itch is being in the service of others). Follow those freedoms, not the other stuff.

2. Setbacks are Temporary
When I first met Ben in 2009 he was living in his parents basement having just come out of rehab. He had found some local success with an earlier, locally released EP but soon found himself resting on his (albeit local) laurels, only to find that he was hitting the peace pipe and drinking cough syrup instead of diving into his work. He’s said on lots of occasions how low he felt – that he might never be able to make music again, but that he would give it everything he had with a fresh outlook on life. He found Ryan and boom. If you’re like me, there are setbacks everywhere. They never end. It might take living in your parent’s basement to realize your dreams. It always feels like I’m moving 2 steps forward and 1 (or sometimes 2) steps back. Shed the voices in your head that are keeping you down. Setbacks are temporary. They are meant to keep everybody else out, not you. The breakthroughs happen just when you think your at the end of the line. Trust M&RL on this one.

chase jarvis macklemore and ryan lewis3. Only YOU Are in Charge of Your Personal Brand
I remember when I realized HOW in touch Ben & Ryan were with their brand M&RL when the emailed me one day asking if I had a RED camera they could borrow to shoot their next video video. They’d had some good vids to date, but they wanted creative control – they know how they wanted their creative vision realized and they wanted to own it front to back. That was for the video shoot of Thrift Shop. Seems like they…um…pretty much nailed it (487 MILLION views and counting….). That they had a)the desire; b) the balls to go for their vision says it all. Throw in the fact that they put their physical CD is a box made of alligator leather for god’s sake and you get the point.

What are you doing to make your brand different – not better? I bet you can think of 5 things in the next 5 minutes that helps your brand stand out from the noise. When you finish that list, nail it to your bedroom wall and reference it often.

4. Have a Point of View
In a world of mass messaging, right and left points of view, and chest thumping me-ism, I see so many artists who are reluctant to let their true colors shine. They’re worried that having a point of view might alienate a subset of fans or followers. Well, that’s bullshit. Because the only reason you’d want fans and followers is to genuinely connect with a community of like minded people – connect your authentic self with theirs. Referencing #1 above – you think it didn’t take balls to stand up for a belief in marriage equality amidst the typical hiphop anti-gay mindset? Sure it took balls, but that’s wht M&RL believe and so they found it a perfect thing to write about – with confidence. I spoke to them about it here. THAT is called having a point of view.

I’m guessing there’s a few things in your world (I know there are in mine…) that you’ve been scared to put out there. Dimes to donuts that this thing you’re holding inside will be a huge benefit when you get out of your own way and share that thing, own that thing, have a point of view. The people that will care about that thing are the people you’ll want to connect with anyone. So what are you waiting for?

chase jarvis ryan lewis cjlive macklemore5. Collaborating with Your Friends is a Good Thing – surround yourself with good people
When M&RL put out The Heist, they made it local. They made it with their friends. The solo’s and featured artists on their album? Almost entirely local talent…friends, people they admired, and by and large people without name recognition. But that didn’t matter – they made their album and their art with their circle of friends. Their tour and merch manager Tricia is Mack’s fiancé. Why chase the party when you can make your own.

So instead of waiting around to collaborate with Bono – why don’t you collaborate with your best friend, your makeup artist pal, your uber-talented homie from around the way. Again, why chase the party when you can make your own?

6. Don’t Let Them Put You in a Box
When I first heard Ben’s rap – it put me off balance. “Whoa – this is different” I thought. Which is part of why it works. I noticed it. Throw in Ryan’s beats and the whole thing goes to a different level where your brain doesn’t quite know which box to put that in… Our brains are pattern recognizers – which is why when you don’t fit into a typical pattern you STAND OUT. One Grammy committee almost didn’t let their music be classified as Rap – they wanted it filed under Pop. It caused controversy. But it didn’t matter. Ultimately it got the rap nod and then…lo and behold…claimed Best Rap Album and Best Rap song, Best Rap performance. They just made music they wanted to make and then let the world comment on it. The rest took care of itself.

So many creatives have spent too much time studying their peers our neighbors and reading the rule books written by others. Here’s a little secret – those people who wrote the rule books did so to keep you out. Break those rules, ditch that box as best you can.

7. Community is King
In their Grammy acceptance speech, Ben opens with [paraphrase] “Wow, we’re on this stage…And we could never have been on this stage without our fans.” This is true for the Grammys, but it’s also true for life. M&RL have connected with their audience in a way that I’ve rarely seen in this age of pop culture. It’s authentic, it’s humble, and it’s hard working.

The same can be said for your approach. I’ve said it here and here before: Things don’t make things happen, people do.  The world of achieving career success is a world where community is front and center – whether you’re building your own business as an independent artist or you’re making a dent from within the machine of a bigger company.  Your friends, supporters, fans, network – however you define it – is a huge is a requirement to unlock your future. What are you doing to build your community? In what ways are you giving back and asking for nothing in return? Don’t just reach up…be sure to reach sideways and down as often as you can muster.

Much respect to M&RL. Now I recommend we all get back to work at tackling our dreams.

chase jarvis macklemore ryan lewis

Travis Rice: 60 Second Portrait of the World’s Best Snowboarder

One of the many things I love about Travis Rice is his refusal to be pegged into a single hole. Yes, he’ll always be a snowboarding legend, but that athletic pursuit is powered by a creative, artistic soul, as evidenced in one way by his art gallery initiative, Asymbol, and in another by his on-going work with the Brain Farm cinema crew.

When I had Travis on cjLIVE last year [re-watch here], he spoke of being bold, and being different. It was about 6 months later that he walked the talk, and pulled the curtain back on Asymbol, his online + physical gallery celebrating the artist/athletes who capture the raw beauty and energy found in the moments that make up a snowboarder’s life, run, park session, etc. [Check out Travis's curated corner of the gallery, here.]

This 60-second portrait of Trav is a part of my ongoing project (now created about 50 of these – from Macklemore to Reggie Watts and beyond) and was shot when he was on our set for cjLIVE. Enjoy and share with your Snowboarding homies — I’m banking they will appreciate this nugget featuring the world’s best.

Nikon Df Unboxing Video + Test Images + First Impressions While Actually Shooting Photos [gasp!]

When the Nikon Df arrived on the scene a couple months back, I tried to temper the hype (my own included) with a good dose of high expectations. Yes, it looked bad ass. Yes, it housed the same sensor as the D4. Yes, the optical viewfinder has 100% field of view.

But as a compact camera fiend and someone whose owned probably 50 cameras or more, I’m no pushover. So when Adorama shipped the Df to my door, I filmed the unboxing in old school 2006 internet style and wasted no time taking a test run (sparse couple images below).

To determine if the Df hit all the marks, let’s take a look back at those point by point…

From my original notes on appearance when the camera launched…. 1. Ergonomics. Roughly… “I like how all the dials/controls for shutter speed, exposure compensation, and ISO give you the option of being really hands on with setting your exposure. Shooting this way really increases my connection with what you’re creating with the camera. The Nikon DF looks like it’ll do a nice job of recreating (or perhaps simulating) that experience of “making” pictures like the cameras of old… That feel helps me be connecting to the art just a little bit more–i.e. slowing down a tad– than some of my other tools in my shed.”

ACTUAL THOUGHTS on ergonomics having shot with this thing. I’m NOT happy with ergonomics. The dials are pretty cool and give you the retro feel, but they’re in goofy places and hard-ish to reach. The aperature dial on the FACE of the body at your right finger is bizarre. The shutter sound is nice. The grip depth is in no man’s land…not flat enough to feel retro and not deep enough to hold it like a “new”camera. Feels “plastic-y”. Which is easy to see why… because the shell of the camera is entirely largely out of styled plastic. The lens? Plastic.

Now my notes on The size. The size was a huge surprise – as you can see from the video. WAY bigger than I thought from the original marketing materials. WAY bigger. In truth I feel like the product shots were actually aimed to trick me into thinking this would feel like a little body. It doesn’t. Yes, it’s smaller than a D4 or pro body – but bigger than I want for lots of circumstances…similar to a D7000 of D600 or any pro-sumer higher end body. When I’m on a pro gig I use/need the pro body to lean on, bang around, pound nails and otherwise be tough and sturdy. But in this class of camera, I really prefer the portability. So what gives here? I dunno. They made up a nice advertising story about “back to basics” with a “real camera” but they among other things, it’s really just styled like an old camera. Also, rumor has it they couldn’t keep the guts cool enough to shoot video because mechanically that stuff takes up space. That’s probably why it doesn’t shoot video – not based on any “purity”. Jury is out. I like the purity angle, but it’s 2014…

I guess my reaction above says it all. There are good surprises and there are bad surprises. I think we know where that shoe dropped re: size.


3. The sensor. This is this cameras very best feature, bar none. I LOVE LOVE LOVE this sensor. It has the same 16.2-megapixel sensor as Nikon’s pro-focused D4, which is the best still sensor of all time IMHO. You can basically shoot this thing in the dark – can it focus in the dark? Not all that well it turns out. But I still love that they packed that sensor in this body. The images are buttery but not overly so like Canon 5d sensors.


MY ORIGINAL NOTES ON….4. Focus. It better be decent. Nikons have historically kicked everyones ass in this department. This better not be a let down. I hope the focus is fast and accurate. (Speaking of fast…we know it’s not fast in frames per second department. 5 ‘n’ change. Not bad. But not fast. Who cares really – that’s not what this camera is for.) We really do want the focus to be fast, however, if it’s to stand out from it’s peers. BTW, how is the manual focus mode? It better kick ass. I’m curious to see if there are any features to assist with this. There’s a lot of marketing around this camera pimping its ability to use all the old non-AI lenses, but the cameras from that time had focusing screens built for manual focus. Without tools like focus peaking, a split image screen, or a microprism screen, shooting with manual focus lenses might just be a pain in the ass. Let’s hope they get it right.

ACTUAL THOUGHTS on FOCUS having shot with this thing. It didn’t measure up. It wasn’t fast. It was pretty accurate, but it wasn’t fast and accurate, which is what I really wanted. I’m sure that Nikon would respond…”but it has the same x and y as the z so it will do …blah”. It’s a great sensor, but the focus isn’t as fast as other cameras in the compact/mirrorless class. Which is sort of a travesty if you love Nikon still cameras given that that is a huge advantage for Nikon in nearly every other case.

MY ORIGINAL notes on this… 5. Pro shit. I’m excited to see how “professional” the camera can be. Can I pound nails with this thing? Is it heavy and durable? We use a ton of different cameras for video, but the D4 is my go-to camera for EVERY SINGLE commercial photo shoot we do. Could the DF could come along on our shoots as a good BTS rig? Even in our BTS stuff we expect pro quality That would be nice if this delivered. I will always have a couple D4 backups, but for the solo photographer, the DF could potentially save pro photographers some weight and coin if (and only if) it can produce professional results in a pinch.

I can’t tell if it has an alloy metal chassis, but its exterior is plastic-y. That isn’t pro. This isn’t a pro backup camera. The images look really nice, a great sensor but it falls short in other categories.

OVERALL
This is a good camera. Actually it’s a great camera. It will make nice pictures. It’s just not the camera I thought I was gonna get. If you LOVE Nikon you should buy this body. You will not be disappointed if you take what I’ve said here with a grain of salt. I know they are selling like hotcakes so the world really likes this camera. I’m just a tad hard on it. Like I said above, the plus on this baby is the D4 sensor in a much cheaper body. Beautiful dynamic range and looks great in low light. Another plus is that Nikon is at least watching what other manufacturers are doing with their products. The negatives are that they don’t know what their consumers want. Generally speaking we are not posers. This camera’s appearance it trying too hard. And it’s too damn big. But like I said – if you’re a photog who loves Nikon – you might be pleased as punch – so take my words here w a grain of salt.

Bounce on over to Adorama to see the Nikon Df HERE

IMAGES
I did have a short day around our cabin making pizza with my pal Jeff and then taking a quick walk on the beach to grab a few snapshots for this initial post to you guys… I intentionally shot slow moving, simple stuff where I thought this camera could perform. It worked well for that – but I knew the limits. The below are just very very minimally processed jpgs. You can see the magic simplicity with this sensor. It just WORKS. (check out the one image with the white house, the open, dark garage with the lightbulb on, during the day. Crazy subtle. THATS the kind of camera I want in my pocket. Portable.

It also does a nice job with a completely flat scene on the grey beach on a grey day shooting photos of grey stuff. Again, quality sensor. Focus? it was a pain to shoot inside and nail the focus shooting at F2.2 etc. But overall you can tell this camera works. If you can take the gimmicky styling it’ll do you right. If you can’t, then you’ll need a different sword of choice.

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Nikon Df camera in silver

Nikon Df camera from rear

Nikon Df camera side view

Bounce on over to Adorama to see the Nikon Df details HERE

LIVE Shoot from Inside a Frickin’ Volcano [RENEGADE #cjLIVE -- this Friday, Jan 17]

chase jarvis jp canlis photo 3UPDATE: this broadcast is TODAY! Join us at 9:30am Seattle time (12:30 NYC and 17:30 London) here at www.chasejarvis.com/live as we hi-jack the live feed from the Museum of Glass and go LIVE from the biggest and best hot shop in the world… mixing the worlds of photography + glass blowing with yours truly and my homie JP Canlis. Of course, taking questions at #cjLIVE via Twitter and my Facebook.

Ok. So maybe it’s not an actual VOLCANO, but it’s just as hot. Read on…

My favorite part of the new world order is access. Access to behind-the-scenes ideas, information, and lives of others AND granting that access into mine. We all get to watch “the sausage being made” …as they say.

Well – access (and sausage) you will get this Friday January 17th if you tune into this SPECIAL EPISODE of www.chasejarvis.com/live between 9:30am – 1pm Seattle time (12:30 – 4pm NYC, 17:30 – 21:00 London) for a special “renegade” REMOTE edition of chasejarvisLIVE. What the hell? Exactly. While the “normal” #cjLIVE shows are broadcast live from my studios in Seattle with a guest and a crowd and some ideas (and occasionally some bourbon) this Friday’s episode is anything but that… In fact I’ll be sharing an exclusive peek into a fine art project I’m working on…in progress

Indeed, YOU are invited drop in for a glimpse of a collaboration between yours truly and my dear friend (and brilliant Seattle-based glass artist) J.P. Canlis. JP’s work is collected worldwide (including the likes of the Crowned Prince of Abu Dhabi). We will be at work and coming to you LIVE and in the heat of it (literally) from the molten hot magma hot shop at the Museum of Glass, the world’s premier glass museum and one of the world’s top glass art facilities in the world.

What you will see will NOT be a staged demo of any sort. Instead you’ll be dipping your toe midstream into an authentic artistic collaboration between yours truly and JP Canlis that we’ve been working on for the past couple weeks as a part of JP’s artist-in-residency at the museum. We’ll be engaged in a real-time, never before attempted (for all we can tell) creative process mixing my photography with JP’s molten glass. Yes, we don’t know what will happen. Since we’ll be in the hotshop – which is NOT my normal habitat – I will be primarily hosting the ramshackle affair WHILE I’M WORKING and taking your questions via twitter and Facebook in realtime during the process.

THE DETAILS
WHO: You, me, glass artist J.P Canlis and a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Friday, January 17, 9:30 am-1 pm Seattle time (12:30pm-4pm NYC time)
WHERE: Tune into www.chasejarvis.com/live It’s free — anyone can watch!

Couple disclaimers:
1. The entire process will be broadcast HERE at www.chasejarvis.com/live (aka the normal #cjLIVE location) for your viewing pleasure.
2. This isn’t meant to be a polished production – you will be along for the ride on a real project that will be sometimes exciting and sometimes not. This is authentic, non scripted access, with us in a new and very different location.
3. I will be primarily focused on chatting with you all via the live broadcast – explaining what I can – in real time. So as always, questions on Facebook + Twitter via #cjLIVE.
4. The awesome peeps at the Museum of Glass are letting us use their broadcast tech and facilities so it’s going to feel a lot more renegade than normal…just how we like it ;)

It will be very casual – feel free to come and go as you please. AND!!! if you happen to live in the Seattle/Tacoma area – you are invited to literally drop into the museum hot shop right there in Tacoma. There is are seats there where you can watch us in the flesh.

Couple BTS snapshots from earlier in the project…

chase jarvis jp canlis glass

chase jarvis jp canlis

chase jarvis jp canlis

chase jarvis jp canlis

chase jarvis jp canlis

For Photographers & Musicians: How to Shoot & Design Award Winning Album Cover Art

ChaseJarvis_!!!

We may be in the age of digital downloads (behind that link is a nice present for you), but musicians and the designers behind them still care deeply about their cover art. After all – whichever way you slice it – that image evokes a narrative about the music, the artist and/or the album. So I was flattered — and immediately on board — when Mario Andreoni of !!! (pronounced/also written Chk Chk Chk) asked if they could use the above image for their album cover, Thr!!!er.

Little did I know how big of a splash (yep, I went there) the cover would make. It was nominated for Best Album Cover Art of the Year along with steep competition from the likes of Daft Punk, Elton John, and the Flaming Lips.

As a photographer who loves music – I confess to LOVING to shoot these things. You might recall a photoshoot I LIVE streamed a couple years ago while creating THIS controversial album cover (where the blog post got more than 1,100 comments). I’ve also pointed to some other favorites here. But regardless, in light of the nomination, I reached back out to Mario with some questions about shooting and selecting album cover art. I wanted to know a little more about how they found my photo as well as learn more on their process of deciding on album art in hopes that those of you who shoot music (or make it) might pick up a touch of inspiration or at least a hint or two. Also, I couldn’t resist – as a long time fan of Chk Chk Chk, I had to ask what was up with their band name… The big Q-n-A follows:

First, can you tell us about this new album from a musical perspective?

Having a new producer (Jim Eno from Spoon) and a new songwriting partner/bass player (Rafael Cohen) were the two most significant changes. Songs were still “lived in” through demos, jamming and road-testing, but Rafael’s “pop” style and Jim’s sonic sense helped push us into new territory, which is what you want when making a new LP… or at least I do.

How did you find this this particular photo? Where did you first see it?

Years ago, I saw a poster in a dodgy Brazilian touristy shop of someone or something plunging into the ocean. I loved the mystery, you couldn’t tell exactly what was exploding into this VAST body of water. The feeling of that image really stuck with me.

At the time, I didn’t think to ask if the shop would sell it to me. It appeared to be a permanent fixture on their wall. I thought I might be able to find it, or something like it, on-line, which ended up being much more difficult. I underestimated the amount of “plunge” shots on the internet.

Anyway, I caught a thumbnail of your shot one day and it gave me a similar feeling, and it was totally unique. I think you could tell through my initial contact that I felt like it would make the cover special. It sort of became the cherry on-top of making THR!!!ER.

Is it unusual to find a photo that already exists that you want to use, as opposed to commissioning work?

I tried to explain the idea to our label (Warp) and while we MIGHT be able to commission, it’d be a gamble, and there just weren’t time and resources to do it. I subsequently fell into several Tumblr holes looking for something we could use.  There are a lot of great, and not so great, shots out there.

What was it about the diver shot that grabbed you? 

The splash. It’s a good one. Visceral. I also dig the detail as well as the ambiguity in it. I’ve had several people ask me what is making that plunge.

[Chase's note - hey photog's and musicians alike, this is your key here... he used the word "visceral." There is RAW STOPPING POWER to this image. Of course they added to this with their design as well - the tie in with 3's, the !!! and the orientation of the diver. In other words, you see this image and you are compelled to stop and take a closer look, regardless of your awareness of the band or even the content of the image. IMHO this is the golden nugget of this post - to ask yourself when shooting/concepting/planning your album cover shoot. Will this photo turn heads and get people to pay attention? If yes - continue. If no, go back to step 1 and devise a new concept.]

OK, gotta ask. As a long time !!! fan, what’s the official/unofficial story behind the name !!! and how does this theme of threes show up in your work [album art modified to show 3 divers instead of the original single]?

Using !!! as our name/symbol came from the movie “The Gods Must Be Crazy.” At one point in the subtitled dialogue, three clicking sounds of the mouth translated to !!!. One of us suggested we use the three clicking sounds, but not everyone could do it, so we co-opted it into using any three repetitive sounds, (aye aye aye, uh uh uh, etc etc etc), but keeping the translation !!!.

Our first few releases just had !!! on the cover, this is PRE-internet, and it was never a problem for us. You just put it at the front of your record rack!

Post-internet, our first big label (Touch & Go) asked that we supply a subtitle/spelling, and “chk chk chk” was how most people pronounced !!!, so there you go.

I guess the repetitive imagery is a hold-over from the intent behind !!!. The fact that you can actually form the diver image into a ! is more of a cosmic/happy accident.

Any details you’d like to share about the process of creating the album cover?

We toyed with a ton of variations: single/multiple images, different colors, placement, etc., and I have to give James Burton and the people at Warp a huge amount of credit for helping pull the final image together. I mainly just provided (many) opinions. The image itself is already bad-ass, placing three of them next to each other maintained our “theme” and fortunately made a compelling record cover.

For the benefit of those who are trying to license artwork, would you explain anything helpful from your perspective as licensee?

I think that whether it’s working with someone musically/artistically, it’s best to go directly to the source. Be honest about how you’d like to work with them and be fully prepared to be told to “f*ck off” & move-on.

We’ve been lucky enough to work with people that would seem “untouchable,” and knock-on-wood, it’s worked out for the better more often than not.

Is the One Girl/One Boy Video &Contest still going on?  Will you please tell us a little about the contest?

Yeah!  This was Nic’s idea. We couldn’t have Sonia Moore, the woman that sang on the LP, tour with us, so Nic thought it’d be interesting if we established a “contest” where people would record a video demo singing Sonia’s parts, and if chosen, they would come up on stage and sing with us when we swing through their town.

The kicker has been that we don’t rehearse. We just call the winner up when it’s time for the jam, and just about every time, it’s a home-run. It all works out.

To purchase !!!’s album, go to Bleep.com.

Find tour dates at the band’s website.

Follow them on these social channels:
Twitter
Facebook
Tumblr

[Check out ChkChkChk's video for their tune Californiyeah below...and have a lovely day]:

I Want to Give You $50,000 and Be Your Mentor for LIFE

UPDATE: WE HAVE A WINNER!!!! Shopify’s Build a Business competition is OVER and THE WINNER IS… Kevin Mack of Tatsup! For more information on Kevin and Tatsup, head to Shopify’s blog post announcement. Needless to say, I’m stoked to be able to be able to bring him to NYC, slap a chunk of change into his hand, and give him my advice every step of the way (or for as long as he wants it ;) )

Thanks to all the competitors who entered and make sure to congratulate the rest of the winners and I’ll be sure to keep you updated on how Kevin’s mentorship with me goes and how he grows his business with the help he’ll be getting from me & Shopify. ShoutOut to Shopify for helping make this happen.

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chase jarvis mentor build a business shopify

We are living in the Age of the Artist. Never before in history has it been this easy for creatives to create, for artists to make their art. Yet still the masses are filled with those who postpone their artistic dreams. I say the worst thing you can do is postpone.

But some people just need a bigger carrot. So I went hunting and found a prize for you. Actually, I teamed up with my friends at Shopify and am offering YOU a chance at a check for $50,000 and my promise to be your mentor for life (or until you kick me out). Yes. This actually means we will be friends.

If you’re late to the party, here’s how to enter [in 3 easy steps]:

1. Go to the Shopify Build a Business page
2. Choose your category (I’m mentoring in the Art & Photography category, but choose what suits your artistic dream)
3. Start selling and kick your business into gear.

I figure the end game can only be 1 of 2 options:

1. You win the contest, $50,000 and a mentor for life; OR
2. You don’t win, but you’ve built that business you’ve always dreamed of, and it’s now a REAL THING that makes you money and channels all that creativity you never knew (or perhaps always knew?) you had.

If ever there was a win-win scenario, this is it.

So you’re not into Art & Photography? Fine – I don’t care. I means just as much to me that you follow your dreams. Read on, because Shopify certainly has your interest category covered. Maybe you’re into Music, Electronics & Gadgets, Jewelry & Crafts, Health & Beauty, Food & Beverage, Fashion & Apparel, or Sports & Recreation. Any of those ring some bells?

Your full mentor list to choose from depending on the above category.

// Lil Jon (hip hop legend)
// Tim Ferris (4 hour everything)
// Tina Eisenberg (aka swissmiss)
// Selita Ebanks (model & health star)
// Gary Vaynerchuk (wine & food guru)
// Damond John (founder of FUBU – star of shark tank)
// Mark Cuban (billionaire entrepreneur/owner of Dallas Mavericks
// Arianna Huffington (media maven)
// and yours truly

Here’s how you win:

If you start a business with Shopify and have the most sales in your category over a particular window between NOW and MAY 2014, then you win. Pretty simple. The longer, more detailed version of all that is here on the Shopfiy site. There is plenty of time to kick ass and sell your heart out, but the time to start is NOW. Oh ya…if you win, I’ll fly you back to NYC and had you the 50 GRAND myself.

DigitalRev TV uses a GoPro to Fake my Hasselblad Masters Photo

Each time I have the good fortune to work with DigitalRev TV and my friend Kai Man Wong something memorable happens.

For example, you might recall the time that Kai and DigitalRev TV dragged me around Hong Kong with a Lego Camera on one of their infamous CheapCamera Challenges. The highlights included surprise runway models, aggravated kung fu fighters and eating pig’s anus on the street. Most recently Kai and his hilarious crew parodied my Facebook profile photo for Fake A Big Shot. The resemblance was, um, striking?

I decided it was time to turn the tables.

I showed up in Hong Kong to give Kai and the DigitalRev crew a taste of their own medicine. A CheapCamera Challenge of my design: To re-create a photo I shot with the Hasselblad H3D. This was a $25,000 piece of equipment in 2007 when I shot the photo. I gave him 8 hours … and a GoPro Hero3PLUS ($399) to get it done.

Here’s how the the final product compares to my original. What do you think? Check out the video above to see how he did it.

Chasejarvis_DigitalRevTV

Thanks to Kai and the whole DigitalRev TV crew for working on short notice and being such great sports. Subscribe to their channel here.

10 Gifts for Photographers + WIN a Sexy Sony a7 Camera

UPDATE – Happy New Year to all who entered my camera giveaway over the last month…AND a big congratulations to MARK BEHRENS, the winner of the brand spankin new Sony a7. Thanks to everyone who participated and to our homies at Adorama + Sony. BTW, for those of you who signed up for my email list — I’ll be in touch with soon more exclusive content and opportunities to connect.

Good morning friends! I get lots of emails, tweets & Facebook posts from all over the world – husbands, wives, partners, girlfriends of photographers looking for gifts for the creative loved ones in their lives. I know the gift-giving paralysis that can come from not having a few solid ideas for the creatives / photographers (photofiles?) in your life….so in an attempt to be a help to my gift seeking friends and answer all those emails in one fail swoop…. I’ve wrangled a little gift list ranging from $20 to $4000 (yikes!). I’m not big on shopping events but I do appreciate some well-curated suggestions, so rest assured this list is focused enough that any one item won’t disappoint and broad enough that there are things for literally every photog.

Annnndddd… in acknowledging that buying cameras and gear can be expensive and painful (sometimes prohibitively so…), I wanted to offset that with an opportunity for you to win a VERY tasty new camera for free… Remember that super hot Sony a7 camera that I was ranting about last month? Well, thanks in large part to support from Adorama for hosting this, they are allowing me to give away one of these delicious Sony Cameras along with the 28-70mm Sony lens.

To help wrangle this giveaway, we’re trying out a new widget below. It does a few things really well:
1. manages all entries into a secure database and properly randomizes a winner
2. gives you info about how much time is left in the giveaway / how many entries there are etc
3. allows you to earn extra entries by participating more deeply in the community (watching vids, sharing, reading posts etc)

To enter just fill in your info below and follow along. And note: this giveaway is live all the way through the 28th of December. Feedback welcome on the widget if you have any.

a Rafflecopter giveaway

Nikon 50mm f/1.8D AF Nikkor Lens

This is a seriously great all-around lens for your kit. Don’t let that low price fool you. The 50mm 1.8 one of the best kept secrets in photo gear. The lens body is plastic, but it still kicks tons of ass. I have had this lens since it first came out – even replaced it with the same thing once when I dropped it into a lake.
Price: $109

SanDisk 32GB Class 10 ExtremePRO SDHC Memory Card

Another quality little stocking stuffer for any photographer. One can’t every REALLY have too many SD cards, unless you’ve got a collection of 50 1GB cards, in which case it’s really time to poke your eyes out consolidate. The Class 10 checks all those boxes that a photog is looking for in a memory card.
Price: $60.95

SanDisk ImageMate All-in-One USB 3.0 Memory Card Reader

For just a few bucks more, you can throw in this all-in-one card reader as a goes-with gift for the above. [If you want to get creative, pull the SDHC card out of the packaging and pop it into the reader before wrapping.]
Price: $32.95

PocketWizard Plus III Transceiver

A quality trasceiver is a must-have for any aspiring photographer. The freedom to move your flash around opens a lot of doors for more creative illumination of the shot. And at under $150, you’re not breaking banks.
Price: $134

Think Tank Airport Security V2.0

For the traveling photographer who wants a safe and secure way to transport all that gear, this Think Tank rolling solution should more than do the trick. Comes with combo zipper lock and the steam-sealed raincover keeps your gear bone dry.
Price: $364.75

Promise Pegasus J2 Thunderbolt 512gb

I love this portable thunderbolt drive. It’s about the size of a smartphone and it’s super fast on the read and write speeds. It will also run without the conventional power adapter, making it perfectly for off-the-grid shoots.
Price: $499.00

Joby Ball Head + Gorillapod SLR-Zoom

For playful but solid support on the fly, nothing beats Gorillapod with the Joby Ball Head. These are great little numbers for attaching GoPro’s and other smaller cams for a sweet little time lapse.
Price: $79.95

Sony Alpha a7 Digital Camera, with FE 28-70mm f/3.5-5.6 OSS Lens

I had the chance to play with the a7, and let’s just say this is a no-questions-asked, “I love you (or yourself ;) ” gift. No regifting or returns to worry about on this one, that’s for damn sure. Great design, great quality, compact and sexy as all get out.
Price: $1,998.00

Think Tank Retrospective 10-GR Small Shoulder Bag

Two Think Tank prods in one list? What’s up with that? Think Tank rocks, that’s what. THIS is how you carry your every-day camera kit around, people. Like the travel bag, this one has a nice rain seal on it for those infrequent Seattle showers.
Price: $165.75

Broncolor Senso Kit 22

This is a big-ticket gift, make no mistake. But there really is no price you can put on good lighting. I wouldn’t recommend this for the teenage son or daughter on a flavor-of-the-month kick, but it’s a no-joke upgrade for any aspiring commercial photographer.
Price: $4734.00

DJI Phantom

I’ve toyed around with the DJI Phantom quite a bit. The weight-bearing limitations do more or less count out super high end camera loads, but the aerial footage you can get with a GoPro will really take that budding videographer’s footage to the next level.
Price: $679

And always, if you’ve got some gift ideas of your own you want to share, sound off below – I may add your suggestions to this list.

On Location: Hong Kong is Wet but Wonderful

As some of you accurately guessed from this pic I posted to Twitter last week, we’ve been rocking out in Hong Kong for a shoot, adapting to an uncooperative weather situation (rain – lots of it), hanging out on the water and dining on some pretty dynamite dim sum.

A few of you wondered if we were hooking up with our friends at DigitalRev. Maybe to do another lego camera shoot or show them how to really fake a big shot. Well my lips are sealed for the moment, although a pic below should put one of those questions to bed.

Stay tuned for more BTS action from this trip and enjoy some of the stills below:

The food has been all-time good. Dim sum, anyone?

Look who we found in Hong Kong. Our friends Kai from Digital Rev TV…good things transpired. Keep your eye on that channel to find out the scoop.

Crew elevator shot.

While the weather on this shoot has been less than ideal, Hong Kong has proven to be an incredible location. Roll with the punches and new opportunities present themselves.

DJI Drone Fail Over Iceland Waters – chasejarvisTECH

WARNING: CONTENTS OF THIS VIDEO MAY BE OFFENSIVE TO SOME, ESPECIALLY PHOTOGRAPHERS WHO HAVE FELT THE PAIN OF GEAR LOSS.

In the days before my trip to Iceland, I had the chance to play with the DJI Phantom, an affordable, out-of-the-box quadcopter for budding aerial videographers. As I establish in that test flight post, the footage you yield from the DJI Phantom + GoPro combo may not be pro quality, but it’s perfectly serviceable for BTS material, AND it gives a person the opportunity to cut their teeth on a rig that comes in under a grand (or just slightly over, if you include the camera).

Ever the hacks, we tried to circumvent the GoPro limitation and mount a Sony RX 100 II, for three reasons:

1. The RX 100 II has image stabilizations (many commented on the shakiness of the GoPro footage on our first test flight).
2. It has a nice sensor and shoots RAW images.
3. Built-in Wifi. Our plan was to use the iPad Mini with the Sony app and control the camera shutter from the ground.

Seem pretty reasonable, right?

When you watch the video, know this: It brings us no joy to lose expensive gear, ever. I don’t encourage people to go out and perform needless hacks and unsanctioned upgrades, especially if you’re not insured, like we were. In our case we had a legit interest in yielding some higher end footage with a DJI Phantom we had invested in.

Couple UPDATE points… any assumption that i was just goofing around at tourist site just plyaing with my camera couldn’t be further from the truth. we had chartered the entire site for the shoot, been out on boats there at the site earlier – were working with the management there, paying high fees to be there with permits for very specific objectives. We also sought to potentially recover the unit out of concern for the environment but were discouraged from pursuing that option because of danger to divers due to swift current, big tides and huge floating chunks of dangerous ice.

Thanks again for going on this journey – and others – with me. And I hope you don’t mind my sharing all the stuff – even things like this that suck.

Get Off Your Ass & Get Noticed with Gary Vaynerchuk on #cjLIVE [re-watch]

What a way to end 2013 for chasejarvisLIVE. The show was amazing. Gary V brought the heat to discuss how you can break through the noise of the internet and get your work noticed. Are people not clicking on your photos? Are you you getting lost in the detritus of the internet? I’ve done a bunch of stuff with Gary like this, and this, and have wanted to have him on #cjLIVE for more than 2 years. But I had no idea what I was in for. Gary dropped the serious know-how. And he sat on my lap. That was a first for the show.

Gary also brought his new book to talk about. Jab, Jab, Jab, Right Hook (one of the best titles ever?) does a deep dive on some of the tactics and philosophies he has employed in his own career. It’s a great read. I give it a quick review here.

And when I say “great career,” I’m understating. Big time. Gary V is a hustler like no other. He built a $50m online business before he turned 30, then he latched onto the new web and was trumpeting the virtues of community + content before most people knew what the hell was up, then he wrote 2 New York Times best sellers about it. He’s also going to own the NY Jets. Seriously. Keep watching that channel.

Check the re-watch above, and then go pick up a copy of his new book. Or pick up two, and stuff one in somebody’s stocking.

chasejarvisTECH: Three Timelapse Toys

Timelapse shots have achieved ubiquity, yet it’s still a technique I get asked about on the reg. I’ve touched on the timelapse How-To in past posts, but I’m touching base again with a new look at what has become must-have.

I love using timelapse in my work. Alternating between real time, slo-mo and timelapse contributes to the temporal tug on the viewer, which keeps them present and guessing. Cloud movements and dipping suns over beautiful landscape is the norm, so we’re always looking to change up our style and try something a little different.

Adding camera movement is one way to do that. In the vid above, we use a slider, a motor, and a 5D to pull back and reveal some stunning Icelandic beauty. Keep the last in mind as I break down the equipment we used, because I come back to this again and again: more than the gear in your bag, it’s your vision and execution that matter most. In our case, we had Iceland’s ridiculously photogenic land and light working in our favor. Scouting the site, we found a cool ice formation and decided on a shot you don’t see daily. I’d say the gear we use is secondary. Which is why I’m mentioning it second.

Anatomy of a timelapse:

_Kessler Pocket Dolly v2.0
_Kessler Elektra Drive – set to slowest speed in “continuous mode.” The Elektra drive is the motor that moves the camera up/down the dolly, giving the shot movement.
_Intervalometer – set to shoot a picture every 3 seconds. We let that baby go for about 20 minutes.

Add’l equipment:

_Canon 5D Mark III
_Manfrotto support
_Viking 12 oz

You can see how we integrated timelapse footage into our Iceland edition of chasejarvisRAW. If you want more Iceland in your life, check out some of the stills that convinced us to put Iceland in our list of 10 Spots to restore your creative juices.

Music by Small Face.

Get Off Your Ass & Get Noticed with Gary Vaynerchuk on #cjLIVE [Tues, Dec 3 @ 10am PT]

Update: The show was amazing as Gary V brings brought the heat to discuss how you can break through the noise of the internet and get your work noticed. Are people not clicking on your photos? Are you you getting lost in the detritus of the internet? Gary dropped the serious know-how. And he sat on my lap. That was a first for the show. Jab, Jab, Jab, Right Hook his new book that does a deep dive on some of the tactics and philosophies he has employed in his own career. It’s a great read. I give it a quick review here.

This show was a great finale. And I can think of no better person to wrap up this year’s lineup than Gary Vaynerchuk. Gary V’s energy and vision is infectious. He is a hustler like no other. He built a $50m online business before he turned 30, then he latched onto the new web and was trumpeting the virtues of community + content before most people knew what the hell was up, then he wrote 2 New York Times best sellers about it. AND… lucky for us, he will be our private advisor / mentor / coach for 90 minutes on the next episode of chasejarvisLIVE on Tuesday, December 3rd at 10am Seattle time (1pm NYC, 18:00 London time). Specifically, we’ll talk about how to tell YOUR OWN STORY and get noticed in a crowded, noisy world. Because… let’s be honest… telling stories is what we do as photographers, artists, and entrepreneurs. It’s how we get traction in a marketplace and how we stand out from our peers.

I’ve done a bunch of stuff with Gary like this, and this, and have wanted to have him on #cjLIVE for more than 2 years. That all comes to a head in a matter of days as we discuss his upcoming book Jab Jab Jab Right Hook (drops TOMORROW – get a copy and do your homework) about how to stand out in a crowded market. This book was written for us.

WHO: You, Me, Social Media Marketer Gary Vaynerchuk + a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Tuesday, Dec 3, 10:00am Seattle time (1pm NYC time or 18:00 London)
WHERE: Tune into www.chasejarvis.com/live. It’s free — anyone can watch and we’ll be taking YOUR questions via Twitter, hashtag #cjLIVE

There’s a video at the bottom of this post that hits some highlights… but some more detail on what we’ll cover…
_The reason we love our parents is because they loved us first. Every single company should take this advice.
_Think of social media as the Internet. I can’t think of anyone betting against the Internet in 2013.
_We’re sharing things in our lives today we wouldn’t have picked up the phone to talk about 10 years ago.
_If you do not care about the end user immensely, especially in the next few years, your brand will die.
_There’s no reason in 2013, to do shit you hate. NONE.

HELP US PIMP THE SHOW AND WIN STUFF.
In order to reach the largest audience possible, we’re kicking out a couple nice prizes… We’re giving away $200 worth of free creativeLIVE course credits to two (2) people.

To enter, just help us promote the show starting RIGHT NOW by sending out a creative tweet OR Facebook post (pointing back to my Fbook page so we can find it) promoting the show and be sure to INCLUDE #cjLIVE + @garyvee + the short url to THIS blog post.

We’ll select 2 of the best ones at the beginning of the show, give you a shout-out, and access to the $200 creativeLIVE credits.

WE WILL ALSO GIVE AWAY MORE TASTY PRIZES DURING THE SHOW…
We’re giving away THREE $100 gift cards to BorrowLenses ALONG WITH 3 signed copies of Gary’s new book. You have to tune to the LIVE SHOW above to find out how to win.

Contest Rules here.

JOIN US IN THE STUDIO.
<<UPDATE: The studio audience is at capacity. To have a better chance at scoring a seat, join my email list on this page – I always notify that list first.>>
Want to be part of the live studio audience? We’ll invite the first 20 people who send an email to production@chasejarvis.com to join us +1 guest. You’ll receive a confirmation email with attendance details if you’re 1 of the first 20.

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