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TAKE BACK YOUR LIFE. Building a Creative Career + Life with Renowned Author Chris Guillebeau on #cjLIVE [REWATCH]]

Are you ready to have that lightbulb moment? Yes? Then stop reading and hit PLAY on the vid above.

My guest in last week’s cjLIVE was none other than the globe trotting, “self employed for life” hacker Chris Guillebeau. In addition to being all those things plus the founder of the World Domination Summit (most amazing name ever for a creative conference…) he is a best-selling author of The $100 Startup as well as The Art of Non-Comformity. This show lit up the internet with responses to Chris’s explanation of the ACTUAL TACTICS that he has employed to help him achieve amazing success. Watch the above to hear:

_Why “Follow your passion,” sounds great – but that anything worth doing takes sacrifices.
_How to evaluate your life and quit your day job – and still feed your family.
_How Chris figured out how to travel to 193 countries by age 35. He is the first ever to accomplish this. [a few dignitaries have done it, but nobody of Chris' ripe age has ever pulled it off].
_This is all closer than you really think possible – once you get over the things that scare you

Over the years, through his remarkable books and friendship, Chris has given me an insane amount of clarity and some hefty doses of inspiration. Take your life back.

In addition to traveling and writing, Chris founded and organizes the World Domination Summit, an annual gathering of creatives held in Portland Oregon that runs the gamut from intellectual meet-ups and keynote speakers to hammock races and bollywood dancing. Sorry, ALL 3000 TICKETS are completely sold out, but that what happens when there are enough people who share your passions. (Note: I’m honored to be one of the keynote speakers for 2013.)

Here is Chris at last year’s WDS introducing a panel to discuss The $100 Startup and their own microbusinesses.

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Special thanks to our sponsors who help make this show possible – please follow them and let them know you appreciate the free content. #Respect.

Help us welcome new sponsor Borrowlenses.com to chasejarvisLIVE and follow them on twitter @borrowlenses.
HP: @hpprint
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How To Reboot, Refresh & Refocus Your Creativity — The Fine Art of the Sabbatical

Photo by Chase Jarvis.

Many of us have …ahem…fantasies about shutting down the laptop and closing up the studio for an extended period to go try something different. Pick up horseback riding. Learn a new language. Fly a plane. We all know our creative souls need it, but making the move is frightening. A couple months ago my writer friend Ben dropped in to share his thoughts on strategic renewal and scheduling breaks throughout the work day. His post about doing more by doing less was a hit with many of you. Well he’s back, and he’s talking about breaks again. Big breaks. Weeks, months, even…um…a year. Read on to find out how a sabbatical may help you keep that love feeling fresh. Take it away, Ben.

Thanks, Chase.

My second love is soccer. I play it, I coach it and I follow it. (And for those of you who didn’t know it, Chase went to college on a soccer scholarship and loves the game too…) As a US citizen, I am a passionate supporter of the US National Team, which is currently in the middle of qualifications for the 2014 World Cup. Anyone who gives a damn about US soccer will know the name Landon Donovan. Easily one of our nation’s best players ever, Landon announced last December that he was taking a 4-month break from the sport following the title-winning Championship match for his MLS club team, the LA Galaxy.

In the middle of World Cup Qualifiers and at the top of his game, our nation’s best player decides to take a sabbatical. “What the F?” said half the US soccer nation, instantly polarized. On the one side were the haters who called the act the epitome of selfishness and narcism. On the other, less-populated side were those who got it. Dude needed a break. He’s burnt out. He’s been the poster boy of the entire sport in the States for as long as he’s been representing the country on the field. Let him surf. Or snorkel. Or learn tennis. Or whatever it is he needs to do.

I thought about this for another hot minute. My Father is a professor at a University. I learned the meaning of the word “passion” by watching him devote his life to his students and to his discipline. But I don’t remember anyone calling him “passionless” for taking a sabbatical. So given Donovan’s moves, learning from my Dad, and some conversation with Chase, I’ve asked the “when do you know you need a break?” question. This is not the definitive list, but it’s a start to some answers:

_All your work starts to look the same
_You dread getting out of bed in the morning [not just once in a while, but routinely]
_You haven’t had an original, “eureka”-moment idea in weeks
_You spend a good portion of your waking day fantasizing about travel, learning a new skill or craft, or marking a bucket list item off the list
_You truthfully answer “nothing much” to the frequently-asked question “what have you been up to lately?”
_You feel like your passion for something is waning
_The things in your routine that used to be easy and fun seem hard and annoying

But don’t feel like you’re alone in these feelings or “getting soft”. History is full of amazing creatives who take time off… Up high on the list are:

Daniel Day-Lewis. Master of the Sabbatical. Photo from Wikipedia.

Daniel Day-Lewis — arguable the greatest actor of our time — routinely takes breaks for as long as 5 years between his [award-winning] roles. In fact, it’s been rumored that he is planning another 5 year break to focus on family and learning “rural skills” like stonemasonry. Director Terrence Malick famously took a 20-year sabbatical between the critically-acclaimed “Badlands” (1978) and the thought-provoking “Thin Red Line” (1998).

Alternatively, check out this TED talk below by renowned NYC designer Stefan Sagmeister, who closes his studio doors once every seven years to take a full year extended break from work.

And then there are some companies that support this…. Greeting card giant Hallmark — which employs a staff of over 700 writers, illustrators and designers — owns a 180,000 square foot “innovation facility” where staff can pursue myriad artistic endeavors, from stitching and woodworking to ceramics and leather tooling. Hallmark’s renewal program sends employees to the innovation facility for up to four months at a time to learn a new skill or craft and get a much needed break from the computer screen. The company also owns a farmhouse retreat on 172 acres, which it uses for similar employee getaway purposes. This sort of forced creative renewal keeps workers inspired and prevents burn-out and creative drought.

Not all employers are as cool as Hallmark. And we’re not all university professors who get a year off every 7. Some of you are wondering how you can afford to take extended time off from your work. If you are currently ‘stuck’ in a corporate job and looking for a way to take a strategic job pause without losing your job, take a look at YourSabbatical.com. The company helps employees put together convincing proposals to negotiate a career break with the bosses. If you’re short on ideas for ways to spend your sabbatical, the site put together a top 100 list. Some of the gems include:

_Circuit Iceland by car
_Tackle Kilimanjaro [Chase would attest to this being a having climbed Kili in January]
_Travel without an itinerary
_Trap and track puma in Argentina’s pampas grass
_Raft the Zambezi with your dad
…and you get the picture…

The company draws an important distinction between a vacation and a sabbatical. The former, for example, is often not goal-oriented and pays little mind to enhancing one’s life or career. The sabbatical, on the other hand, is designed to restore creative juices, enable the attainment of personal goals and achieve greater career success.

It’s a daunting step to take. Unknowns and what-ifs abound. Great security probably lays with the status quo. But status quo is creeping death to the creative. So take a moment and ask yourself if you’re creative side would benefit from a planned sabbatical. Then start planning.

5 Great Film Cameras on a Tiny Budget

You know I love film. Just shot my Polaroid 600E yesterday and loved it. Shot the Hassie the week before, and just loaded a roll into my Lomo ‘Sardine’. That said, seeing that damn near everything has (obviously and justly) gone digital, film cameras are dirt cheap. And whether you’re a seasoned pro or an iphone snapper, a good dose of shooting actual film would be good for you. Trust me on this. So that’s why I’ve taken the time to wrangle five great cameras for under $300 that you can use to re-invigorate your film shooting, even if it’s just for a little flirt with nostalgia. … (and I know that there are a lot of sweet cameras OVER $300…i’ve listed a few of my fav’s in the comments. Please share yours there too….)

Canonet QL17 GIII. Image courtesy Wikipedia

Canonet QL17 GIII. Image courtesy Wikipedia

This camera, in its heyday, was known as the “poor man’s Leica,” and with darned good reason. The fixed 40mm f/1.7 lens is sharp as all heck, producing images that, with the right film, will produce incredibly crisp negatives. My go-to setup has a 58mm step-down ring on the lens to accomodate a modern Canon lens cap (which is important as these old cameras don’t usually include a lens cap).

The nice thing here? The metering system still works on most copies you can buy today; all you need is a 1.35v battery (Wein Cell makes a nice replacement for the old mercury batts) and you’re good to go. You can shoot in shutter-priority only, and since the metering sensor sits directly above the lens and inside the filter ring, it compensates for ND filters if you use one.

Shot with a Canonet QL17 on Kodak Tri-X. Image © Sohail Mamdani

Shot with a Canonet QL17 on Kodak Tri-X. Image © Sohail Mamdani

The best part, though, is the price. Depending on condition, the QL17 GIII can be had for between $75 and $150. Mine cost $110, and is in excellent condition. Make sure you check the seals on the unit you’re buying, however, as these wear out easily and can cause light leaks (but are also easily replaced).

Info:http://en.wikipedia.org/wiki/Canonet_G-III_QL17
Price: $75-$150 depending on condition.
Where to Buy: eBay is your best bet on this.

Nikon F3

Nikon F3 with HP viewfinder. Image courtesy Wikipedia.

Nikon F3 with HP viewfinder. Image courtesy Wikipedia.

Though Canon, Nikon, Pentax, and other manufacturers made excellent SLRs, I like the Nikon F#-series of cameras as, in most cases, they have the most flexible lens mounts. This camera will take just about any Nikon lens made in the last several decades (with the notable exception of “G” lenses, which have no manual aperture ring). Plus it doubles as a hammer or a weapon if you’re in need. These things are tougher than dirt.

The F3 is a manual-focus camera, but has a metering system and allows for aperture-priority metering. It uses 2 SR44 button cells for power, which are easily available. Stick a 50mm f/1.8 lens on this puppy and you’ll be good to go.

Info:http://en.wikipedia.org/wiki/Nikon_F3
Price: About $200 depending on condition.
Where to Buy: KEH.com has some great deals on them. You can get an Excellent-condition body for about $189 and a 50mm f/1.8 lens will set you back about $80.

Medium-Format

Cameras in this category used to cost thousands of dollars — and still do, in some cases. But don’t let that dissuade you from experiencing the joy of holding a 4.5×6 — or larger — negative. Here are two cameras that will let you shoot those big, fat, negatives for an affordable price.

Mamiya C33 TLR

Mamiya C33 Professional. Image courtesy Rémi Kaupp/Wikipedia.

Mamiya C33 Professional. Image courtesy Rémi Kaupp/Wikipedia.

Though its younger sibling, the C330, gets all the attention among Twin Lens Reflex camera afficionados, the C33 is actually a very, very respectable body. Mine has travelled thousands of miles with me as I trek all over the state of California, and has helped me make some of my favorite images.

Bixby Bridge. Delta 100/Mamiya C33. Image © Sohail Mamdani.

Bixby Bridge. Delta 100/Mamiya C33. Image © Sohail Mamdani.

It’s also generally cheaper than the C330 (or the more famous Rolleiflex TLR), and has something pretty cool for TLR cameras – the ability to swap lenses. From the wonderfully sharp 80mm f/2.8 that sits on my camera, to a somewhat comically long 250mm f/6.3, these lenses are usually available for around $200.

Info:http://en.wikipedia.org/wiki/Mamiya_C
Price: About $200–300 depending on condition.
Where to Buy: KEH.com had one until just recently for just under $300. Between the lens and camera, expect to spend around that. Mine was an eBay purchase for $187.

Mamiya 645 1000s

Mamiya 645. Image courtesy Wikipedia.

Mamiya 645. Image courtesy Wikipedia.

I know – two Mamiya’s in one article – it’s a bit lopsided. Gotta love Hassies, but Mamiya tends to deliver some pretty outstanding quality for the price, and the 645 1000s is no exception. It was built to be used with the ease of a 35mm SLR, and renders a negative 6cm X 4.5cm (hence the 645 moniker). You’ll need to buy three separate pieces for it – the main body, a viewfinder, and a lens. All in all, you can come in with all three for about $250.

The Mamiya 645 is set to take 120-size medium format film, which is the most common form sold today. Top it off with an AE prism (the viewfinder) with a built-in meter and you get aperture-priority operation, with a center-weighted pattern. Using one of these outfits, my friend Andrew Kim has done some outstanding street photography.

Street artist in NYC. Taken with a Mamiya 645. Image courtesy/© Andrew Kim.

Street artist in NYC. Taken with a Mamiya 645. Image courtesy/© Andrew Kim.

Info:http://en.wikipedia.org/wiki/List_of_Mamiya_products#Mamiya_645_manual_focus_series
Price: About $250 depending on condition.
Where to Buy: KEH.com is the place to go for these. They have a lot of them, in varying condition.

Bronica ETR-S

Bronica’s ETRS will look somewhat familiar to Hasselblad owners, in that it’s a simple, modular box. I call this the Hassie Hack. Throw on a viewfinder, lens, and back, and you have a complete system for under $300, depending on condition.

Bronica ETR-Si system. Image courtesy Wikipedia.

Bronica ETR-Si system. Image courtesy Wikipedia.

Introduced in 1979, the ETR-S will shoot 6×4.5cm film with a standard back, but you can also swap that back out to shoot standard 35 and panoramic 135-format film as well. There’s a wide variety of lenses available for it, both fixed-focal length and a few zooms as well – a rarity at this price range.

Info:http://en.wikipedia.org/wiki/Bronica
Price: About $250 depending on condition.
Where to Buy: KEH.com and eBay.

These are just five of the many options you have when considering a return (or a first-time visit) to the world of film cameras. What are your favorites? Sound off in the comments – you’ll see some more of my favorites there…


[thx for the research help Sohail!]

The Internet is Made of Cats — Here’s Proof That Cats Drive Creativity

An older Picasso with his furry companion.

As any regular Redditor knows, the internet is made of cats. They’ve been with us since the days of the Egyptians – although nowadays they have their own reality shows. What is it with these damn cats? As the collection of images below indicates, cats have played the role of creative muses in the lives of some pretty famous creatives, including Dali, Picasso and Warhol. [Warhol, it should be noted, once owned 25 cats, all of which he named Sam.]

Might the kitty companion be a key to unlocking the creative mind? I’ll posit that any loyal pet provides, at a minimum, a set of ears to bounce ideas off of and a second set of eyes to look upon your work-in-progress. Sure, feedback may be at a minimum, but at least you’ll be spared harsh criticism. [worth noting - there is a growing body of scientific evidence which shows that hanging out with a contented, purring cat can actually lower a human's high blood pressure, decrease stress, increase self-confidence and reduce feelings of loneliness and isolation. So there you go.]

Have a quick gander at some photos of famous creatives with their cats. Share your dorky cat stories if you’re so inspired . You may or may not be judged (but I will confess that Chris G and I swapped cat stories and photos last night at dinner, so you’ll be ok in my nerdy book….

[thanks, Flavorwire]

Dali with his ocelot, Babou. From Wikipedia.


Photographer Margaret Bourke-White and her Reddit-worthy kitten. Photo by Alfred Eisenstaedt.


Writer Jean Cocteau with his cat, Karoun. Photo by Jane Brown.


Illustrator Saul Steinberg shows his cat how to stretch out. Photo by Henri Cartier-Bresson.


Georgia O'Keeffe poses with her pet Siamese cat. Photo by John Candelario.


Andy Warhol with his cat, Sam.


Photographer Edward Weston at his home, nicknamed "Wildcat Hill." Photo by Imogen Cunningham.


Artist Ai Weiwei with his cat Lai Lai. Photo by Ai Weiwei.

TAKE BACK YOUR LIFE. Building a Creative Career + Life with Renowned Author Chris Guillebeau on #cjLIVE [TODAY - Wednesday, May 22 11am PDT/2pm EDT]

20130522 cjLIVE Chris Guillebeau Home Page Graphic

Update: We are TODAY with renowned author, world traveler and all-around inspiration Chris Guillebeau. My dinner with Chris last night was electrifying and foreshadowed today’s show which promises to deliver the goods on how Chris has accomplished more in his 35 years than most do in a lifetime. Head over to the live page to tune in.

Prepare to have that lightbulb moment for yourself while watching the next episode of chasejarvisLIVE on Wednesday, May 22 becuase my guest is the globe trotting, “self employed for life” hacker Chris Guillebeau. In addition to being all those things plus the founder of the World Domination Summit (most amazing name ever for a creative conference…) he is a best-selling author of The $100 Startup as well as The Art of Non-Comformity. And if all that ain’t enough – just this past April he accomplished a goal that no one in the history of time has done… visit every country in the world by age 35. [a few dignitaries have done it, but nobody of Chris' ripe age has ever pulled it off]. For a decade Chris has been championing a lifestyle that beautifully aligned with my approach. It goes something like this:

_Stop living the life others expect you to – and start living your own
_Create a life where your time is spent doing things you want to do (it sounds harder than it is, doesn’t take a lot of money, and you already have the skills you need)
_Live a remarkable life in a conventional world
_This is all closer than you really think possible – once you get over the things that scare you

If any of this stuff resonates, then I’d better see you on Wednesday. Over the years, through his remarkable books and friendship, Chris has given me an insane amount of clarity and some hefty doses of inspiration. Take your life back.

Details:

WHO: You, Me, Practicing Non-Conformist Chris Guillebeau
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Wednesday, May 22, 11:00am Seattle time (2:00pm NYC time & 19:00 London time)
WHERE: Tune into www.chasejarvis.com/live. It’s free. We’ll be taking your questions LIVE via Twitter —> hashtag #cjLIVE

In addition to traveling and writing, Chris founded and organizes the World Domination Summit, an annual gathering of creatives held in Portland Oregon that runs the gamut from intellectual meet-ups and keynote speakers to hammock races and bollywood dancing. Sorry, ALL 3000 TICKETS are completely sold out, but that what happens when there are enough people who share your passions. (Note: I’m honored to be one of the keynote speakers for 2013.) Oh wait, what’s that?? Read the note below – we’re giving away a ticket $500 to one lucky soul to join Chris and I at the the WDS !! And what the hell…I’ll throw in free airfare to Portland too. DETAILS BELOW!

BONUS: This always goes fast. The first 30 people to email production@chasejarvis.com will be eligible to part of our in-studio audience (you +1 guest) at my seattle studio. You’ll get to watch the show in person, meet Chris and some other lovelies and probably drink some mediocre champagne with us. You will receive an email confirmation if you’re one of the first 20.

HELP US PROMOTE THE SHOW AND WIN STUFF.

This is BIG my friends… – For a chance to win a ticket to Chris’ World Domination Summit – the 100% sold out summit I mentioned earlier. I’ll see the winner there with Chris. We’ll all high five. To win, send out a creative tweet promoting the show with #cjLIVE + @chrisguillebeau + the short link to this page http://bit.ly/18NM7cF included..

DURING THE SHOW we’ll be giving away signed copies of Chris Guillebeau’s books The $100 Startup and The Art of Non-Conformity. Tune in to find out more.

Contest Rules here.

Here is Chris at last year’s WDS introducing a panel to discuss The $100 Startup and their own microbusinesses.

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Special thanks to our sponsors who help make this show possible – please follow them and let them know you appreciate the free content. #Respect.

Help us welcome new sponsor Borrowlenses.com to chasejarvisLIVE and follow them on twitter @borrowlenses.
HP: @hpprint
liveBooks: @liveBooks (p.s. they are also offering special starter package deal for a photo website, exclusive for chasejarvisLIVE fans here.

Kickstarter of the Week – The Glamour & The Squalor

Before the Internet made sourcing new music and rising bands a simple matter of keystrokes, bookmarks and RSS feeds, there was the radio DJ. Those with an insatiable thirst for the fresh and undiscovered relied on the savvy DJ with the right connections to feed us a steady diet of the up and coming, the unsigned, the ones-to-keep-an-eye-on.

For the unsigned and undiscovered, it was said DJ who provided the air time, created the buzz and could ultimately set the stage for stardom. Or at least greater notoriety.

One DJ who epitomized this role was Seattle’s Marco Collins, a local legend whose work on 107.7 The End helped propel the careers of notables like Weezer, Beck, Deathcab for Cutie and The Prodigy. And that’s just using the fingers on one hand. As Chris Ballew of Presidents of the United States of America puts it: “He was the on/off switch for your potential career.”

Such is the story behind Marco’s rise (he’s in the Rock & Roll Hall of Fame as a DJ) and fall (battles with addiction) that Seattle-based director/producer Mark Evans & his team have set out to create a documentary on the man, which they’re calling The Glamour & The Squalor. They’ve interviewed 32 people for the film but need a little help rounding out the interviews and editing down the footage and archival material.

Marco’s story deserves to be told. He turned his passion for new music into a career and he battled some seriously determined demons along the way. And he’s still standing.

Check out the Kickstarter video for The Glamour & The Squalor above. If you are keen to help see this project through to the end, donate here.

Marco Collins, still hard at work. With Allen Stone. Photo by Michael Profitt Photography.

Dream Job — Color Cannons, Flying High & Turning Dreams Into Photographs for Samsung

A NO BRAINER.
When someone comes to you and asks you if you’d like to create a photograph of your most vivid dream on their dime — let’s be clear on this one — you say YES.

Such was the case with Samsung and their creative agency Possible several weeks back. I got one of “those cool phone calls” where all your hard work comes into focus just for a second. (Dialogue in my brain = Wait a minute. Any photograph I want? Of my dreams?! And you’ll be my benefactor to make this happen? Yes Chase, creative freedom. We want to enable your imagination. Are there any images you’ve been excited to try to create but haven’t had the means or the opportunity?) Um. Hell yes. They had approached me with a completely blank canvas. Their only requirement? That the image would be a colorful expression of a dream to prove out the color quality on the Samsung Premium Monitor Series 9 for professional photographers. My only requirement? That I could make a video of the process to show you how we pulled it off.

It was a deal.

THE CHALLENGE.
I immediately knew the image I’d make. I’ve had this reoccurring dream where I’m floating in a sea of insanely vividly colored clouds. You know those flying dreams… well, this is similar, except more floating than flying or falling. (there’s water below in my dream, but that’s of no consequence here…) In short order, I pitched them the idea, they loved it, said “yes”…and then I jumped in… only to realize a moment later that I had no idea how I’d possibly make this happen. How does one “make” clouds? How could I pull this off with in-camera capture? How could I accurately translate the stunning colors into real life? And how would I do this with just a couple weeks lead time? Gulp.

If you’re a photography buff or just plain curious, then read on to get details on the process, how we made the set + the “clouds”, the gear, the monitors, the final image, and all the good stuff that went in my mouth and up my nose.

ENTER–> THE PROCESS.
chase jarvis powder compSketch of the idea. My original sketch was so neanderthal in nature I can’t believe my team had any clue what we’d be up to. The first whiteboard scribble led to this superquick, subsequent mock-up, a speedy photoshop file using some of my other photos and some puffy clouds tweaked into rich colors. It was a hackjob at best, but it got us started down the path of what to do next. We had to find those clouds.

The colors from my dream. This was fun… I went into a paint store and, from memory, selected a handful of paint chips that matched the colors from my recurring dream. This was the basis of moving my dream into reality. The goal is that my wardrobe, the clouds, the environment and the final image would be a perfect match based on these paint chips.

Chase and Loren matching the Celebration Powder to the colors from Chase's dream.

Clouds. First we worked through 101 ways to make clouds, from A-Z, smoke machines to mist. And where we ended up — after a good bit of experimenting — was absolutely awesome. Know that stuff called “celebration powder“? If you happen to be tuned Hindu celebration of Holi in India then you know what I mean…it’s a big thing. It has also migrated its way into seemingly endless fun runs here in the USA. In short this powder is made 100% bio degradable and non toxic from cornstarch. You can eat it (and I ended up eating a LOT of it). This powder, we discovered, can be ordered from some select outfits online. We ordered about 40 pounds of this stuff… some pre-made, others made to match the paint chips (above) we sent the manufacturers. Huge thanks to the Art Department on this shoot –> Loren and Darcy made this shoot happen because of the ingenius way in which they sourced the powder and — even more importantly — devised the “air cannon” mechanisms through which to fire it up into the sky and make the perfect clouds. The air cannons are, like the video explains, simply a series of tanks of highly compressed air with quick valves that can be tripped remotely. Upon flipping the switch – BOOM – you’ve got canned air firing that powder into the sky.

chasejarvis_powder_bts_samsung

Hindus celebrated Holi and believe it is a time of enjoying spring’s abundant colors and saying farewell to winter.

chasejarvis_bts_testingpowedercannon_samsung

Testing the powder canons

chasejarvis_bts_samsung_testingpowdercannon

Boom!

chasejarvis_bts_smansung_powdershooters

Loren and crew setting up the powder canons

THE SET
The “cloud tent”. Now this stuff is messy. And when I say messy, I mean…like the messiest stuff you’ve ever dealt with. After myriad of outdoor tests we discovered, duh, that it gets EV-ER-Y-where. So we built the set to be a giant visqueen tent in very large sound stage to keep it all contained. Approx 30 feet x 30 feet x 20 feet high. Our own gigantor see-thru cube.

Flight. Anytime I get the chance, I’ll do my own stunts. Since we’d agreed in advance that – if this were my dream – I’d need to be the talent… So into character I went. In order to get the floating sensation, we decided after some practice, that a trampoline was the best way to create the look in the studio. With a couple of pulled neck muscles and some body position tweaking, it’s possible to get this floating / hovering look right at the apex of a big bounce on the trampoline. Took me a few hundred tries to be able to nail the effect on autopilot, but it indeed became automatic. Not gonna lie, it had been a few years since I’d jumped on a trampoline, but this was good fun… And, as I was to soon learn, it’s an entirely different thing to do it in practice vs. wearing the wardrobe, goggles and having canons fired at you… but more of that later.

chasejarvis_trampoline_bts_samsung

Moving the trampoline into position

THE GEAR
Stills. For the still portion of the shoot, we shot with the Nikon D4 tethered to our monitoring station, which consisted of three Samsung Series 9 monitors + Mac Pro.  As for glass, we used the Nikon 24-70mm zoom lens stopped down around f/11 for a nice deep depth of field. The Nikon D4 was secured to a light stand and raised to a hole cut into the visqueen at the height that I would be jumping to so we could get a clean shot without jeopardizing the electronics of the camera. And of course it was tethered to the computer so it could be fired remotely and – most importantly so that the images could be reviewed immediately on the Series 9 to check focus, color + file integrity.

Strobes. We used two Broncolor Scoro A4S Power Packs and four Broncolor Unilite 1600′s to give us the light we needed. And since the strobes were positioned outside the visqueen tent (for safety and cleanliness) – aka- the one huuuuggge softbox — the only modifiers we used were directional dishes soas to aim the light in the general direction of yours truly, the bouncing kook. We used PocketWizards to fire the Broncolors remotely off the camera.

Continuous light. Since we were also making the BTS video above, we knew we’d also need continuous lighting for the motion capture. As such we decided to go with two 9000 watt Maxi Brutes. The Maxi Brutes (9 x 1000 watt bulbs in a single unit) were phenomenal pumped out the continuous light needed for the high speed behind the scenes video cameras to get the exposures and frame rates that we wanted. This also allowed us to have to use less light in the strobes above, which kept the flash duration way quick. The Maxi Brutes are huge, look here:

Here’s a quick sketch of our lighting + setup diagram:

chasejarvis_samsung_diagram

Motion Capture Cameras. For the behind the scenes video capture, we thought it’d be fun to bring out the big guns…and the small guns too. We hired our pal DP extraordinaire Chris Bell to shoot with his fancy Arri Alexa [stay tuned for another video about that camera]. We also brought along a Sony FS700 to shoot high speed…480+ frames per second, a Canon 5D mkiii for quick on-the-fly shots, a Canon 7D for timelapses, and lastly, we grabbed every GoPro we had in our shop – I think it was 9 of ‘em.  These came in handy for rigging up shots that we didn’t want to stick our expensive high-end cameras in. We wrangled some Manfrotto pods + spreader dollies, plus a tasty Kessler crane to keep things moving. And you gotta know we made this sweet quick-and-dirty array for a Matrix-esque shot that you can see in the video if you watch it a couple times…:

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Cinematographer Chris Bell with his beloved Arri Alexa

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The Sony FS700 shooting into the tent.

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Post capture - reviewing the work on Samsung Series 9 - happy with the results.

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Image + color review

The Aftermath

HERE’S A FINAL CAMPAIGN IMAGE (keep eyes peeled in all markets).
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If you made it this far and wanna see more stuff like this, here’s the coordinates to subscribe: facebook.com/chasejarvis, twitter.com/chasejarvis, G+, or my extra special email list.

IMPORTANT NOTEA ABOUT MUSIC!
Music is a huge part of the fun we have when making these BTS videos. As such, huge shout out to the legendary beat maker Big Chocolate, without whom this vid would not be possible. You can catch him at his fBook here, twitter, or pickup this very track and other radness here (please support him) on iTunes here. Alas, he will also be crushing it all summer long on the Vans Warped Tour too.

OTHER RELEVANT STUFF.
In addition to the final still image which you may see all over the globe, there is a web commercial produced some good friends of mine – that is pretty damn funny. Check it here.

Super duper big shoutout to crew who worked on this…obviously the art dept, production, and cinema crews got shoutout, but also to my stylist on this one Alvin Stillwell.

For monitor specs etc go here and for more Samsung vids here’s the Samsung YouTube channel.

For more badass work from Possible Worldwide, go here.

Thanks yo!

Never ‘Work’ Again — On Following Your Passion with Photographer Ian Ruhter [When Dreams Collide]

They say that when you leave your old life behind and walk the path you’re meant to be on, be prepared to leave some friends behind, and be prepared to make new ones. This has definitely been the case on my own personal path. When I finally ditched the things in my life that everyone else wanted me to do and began a fulltime charge of my life’s dream of being an artist, it put my life on a collision course with energy, vitality, and some seriously creative / talented people who have both inspired me and strengthened my resolve to continue on this path. That’s not to say shit doesn’t get hard, and that there’s an unending amount of work…but it’s just one kind of work – the kind that draws you in – not the kind that sinks your soul.

One of those cool people I’ve met along the way is my homie Ian Ruhter, another man on a mission to be different, not just better. If you keep your eyes peeled here on my blog, you know that one of the ways he’s done that is through his most recent personal project titled “Silver and Light,” in which he creates photographic art using a wet plate process that dates back to the 1850s with a camera the size of a truck. I had Ian on the show last year to demonstrate his technique and teach me how to wet plat. (Episode at the bottom of this post)

Ian’s latest video posted up top, “When Dreams Collide,” he documents his journey before our meeting -across the past and present and up to his drop-in on #cjLIVE. This particular vid, while beautifully shot, really delivers on how he crossing all boundaries and bowled through all obstacles to follow his dreams. If you need to abandon your current dead-end path, it’s worth your time.

Follow Ian across these channels:

website
Instagram: ianruhter
Facebook
tumbler

Chase Jarvis TECH: Packing Photo Gear For Hiking [whether for a day trip or up to 19,030 feet on Mt. Kilimanjaro]

A few months ago I was fortunate enough to be part of an expedition to bring greater awareness to the scarcity of fresh drinking water experienced by many countries around the world. Called Summit on the Summit, the expedition was a 60 mile hike up Kilimanjaro and included some artists, educators and guides who shared my interest in this awareness project, including Mark Foster, Justin Chatwin and Beau Garrett.

I put together this short video to give y’all a glimpse of the gear I packed for the trek. I kept it pretty light and stuck to two main camera systems:

_Nikon D4 platform
_14-24mm
_24-70mm
_70-200mm
_Other Nikon Lenses

_Olympus OM-D platform
_12mm
_14-42mm
_40-150mm
_75-300mm

Other Gear:
_Manfrotto Support
_MacBook Pro + Macbook Air
_GTech External Hard Drives
_LowePro Bags
_Dakine Photo Brick

Watch the vid for the full deets on my tech choices for this amazing journey.

Those slick beats underneath the video are compliments of the one, the only mr BIG CHOCOLATE…here on iTunes.
Big Chocolate Facebook
@bigchocolate

The Results Are In! Photo Contest Winners Announced for the ThinkTank Giveaway

Thanks everyone for the overwhelming response and involvement in our Street Photography contest. We had a blast looking through the thousands of entries and have finally managed to wittle them down to our three favorites….plus five honorable mentions that we felt compelled to shine a spotlight on. Take a look!
[Winners - congrats! We will be in touch with you about your ThinkTank prizes.]

The Winners

Wojtek Lesiak

This photo embodies the spirit of street photography. Out in the world, traveling, fun and spontaneous. What makes it good is that the photographer saw something that no one else did. There are great parallels in the frame. Out of more than 2,000 photos this one caught me off guard and made me laugh aloud. The photo looked back at me.

;

Jeremy Givens


The photographer merged fashion and street for this photo. Breaking down the barriers between two genres in a “candid-posed” moment. Genre-bending. I love the reaction of the lady looking back while everyone else is trying to ignore the model.

Adrian Woźniak

The photographer saw an opportunity for a unique moment – one that would be very easy to overlook. The expression is gritty and raw. I couldn’t figure out where the man is even standing!? I like the shallow depth of field with the tack sharp face – it’s a really impressive technical photo while still achieving some mystery and wonder.

Honorable Mentions:

Steve Stanger

;

Anthony Delao

;

Dave Sundstrom

;

Dave Butterworth

;

Chris Johnston

;

Chase Jarvis 60: Macklemore

I’m grateful to have so many friends in the Seattle community who influence and inspire me. Among them – Ben Haggerty.

Known to the world as Macklemore, Ben and his talented musical partner-in-crime Ryan Lewis have been on rocket-ship ride to hip hop stardom in the last 7 months. They have been touring non-stop and sold millions of downloads their #1 hit song Thriftshop from the incredible album The Heist. They have appeared on Jay Leno, Saturday Night Live, Letterman, Colbert Report and all the other major talk shows and venues along the way. It’s been fun to watch. We were fortunate enough to have them on our humble little show chasejarvisLIVE back in October of 2011. After the show I caught up with Ben for this portrait. Enjoy the moment.

Macklemore is a talented and a wonderful human being who reminds us all to be honest, fun and grateful. To see what I’m talking about check out this blog post he wrote last week – here.

Kickstarter of the Week – Stop Motion Love Story: Interview with the 11 Year Old Director

I don’t know what you were doing when you were 11, but I know I wasn’t directing movies. Hell, I wasn’t even standing in front of that pool. Trinity Anderson, on the other hand, has jumped into the deep end and seems to managing just fine, thank you.

The 11-year-old and her father, Barry Anderson, are wrapping up production on her latest stop-motion film (a genre she’s been at since she was 4) and have launched a Kickstarter campaign to help cover the rest of production costs. The film is titled Me & Ewe. It is a sheep love story.

I caught up with Trinity and Barry before her performance rehearsals (she’s also an actor) to talk a bit more about her project.

For the record, this is my first time interviewing an 11-year-old.

How did you get into movies and directing? How old were you and what drew you it?

Trinity: When i was 4, we went to Hawaii. I used to get up early, but where we were staying was right near a big cliff and my parents didn’t want me going outside on my own. So they got me a video camera to play with inside. I had Playmobils at the time and I used to make up stories and started using stop motion. I also really liked acting at a young age. When we go to California every summer I get to go to an Shakespeare acting camp. I’ve been doing that every year for a while now.  

Tell me a little bit about this project. What have been the biggest challenges? What have been the biggest breakthroughs?

Trinity: We had a lot of problems with the main tree in the film. As filming went on, the tree started to shed its leaves, so by the end we sort of had this giant dead tree. You can kind of see it in the film, but as it goes on we show it less and less. In the first opening shot it’s green and lush. As you watch it, it kind of dies on you. 

Our biggest breakthrough happened when we were shooting one shot and we ran out of battery. It was a long shot and we didn’t want to retake it. We were about to disassemble when we decided to see if we could recharge the battery while it was still attached to the camera. That worked, so we were able to continue.  

Barry: It was a Switronix PB70 external battery. We couldn’t have plugged it in and saved the shot had we been using a regular canon battery.

Nice. A technological breakthrough.

So tell me, how has this project help you grow as a director? What’s it like being in charge of a project and managing other people?

Trinity: This project was bigger than all the other projects. I’ve made little stop motion films with friends using the iSight on the computer, but this one used real props, real cameras. It is much better quality and we’ve spent a lot more time at at and it’s being shot in an actual studio. We’re planning to enter it in film festivals and put it online. So it’s just bigger than anything I’ve done.

As far as managing, well, we don’t have many people working on the film. Besides my dad there’s my great uncle and grandpa. My dad and I do most of the animated work, and we also have one other animation guy who is doing the background sheep. I pretty much told him what to do and he did it.

Barry: We basically spent a lot of time finding people who would put up with us.

In many ways this project is co-directed by you and your Dad. What has that been like? Has it been challenging making sure the visions are aligned?

Trinity: We have limited amount of camera angles, so there isn’t much decision there. We decide on which camera angle would be best and worked together to figure out the placements. My Dad helped a lot  with the lights. But otherwise it was pretty straightforward as to which lens we should be using. I guess I was in charge of placement of sheets.

Barry: Trinity wanted to be lead animator. We spent some time talking through the story and came up with some rough storyboards. We figured out what the scenarios would be. Once we had the story down, we agreed on things. It wasn’t a major Hollywood production — there were some limitations and once things fell into place and we put on the lens we got dialed it in. 

In the beginning I was tech guy at computer, making sure we weren’t going to fast to slow and Trinity was in charge of bringing the sheep to life on the screen. But once she got over her intimidation of the technology, she had no problem assuming that role, too!

Artists and creatives often get asked “who or what are your influences?” Influences can be other artists or directors, it can be books or a series of books, movies or a series of movies. Who or what are your influences?

Trinity: I always wanted to work in movies. For a short time I went through an archeology phase, but my Dad has always been directing movies, so really I’d have to say my Mom and Dad. Aside from them I really like Stephen Speilberg and his movies like Jaws, ET, Close Encounters of the Third Kind and Indiana Jones. I also like It’s a Wonderful Life and some other black and white films like, Maltese Falcon, The Navigator and Some Like it Hot.

I really enjoy comedy. Movies that aren’t funny aren’t my favorite. Buster Keaton has been an influence for me. I do some circus performance and he’s really made my comedy better. 

Do you have a particular favorite stop motion director of film?

Trinity: Nightmare before Christmas. But I also really like A Town Called Panic. It’s a French film. It uses a real unique animation form. It’s different and it fits the story. 

I also like the Fantastic Mr Fox. The models are good and I love the voices of the actors. Also the score is beautiful. Our test score is mostly taken from that movie. It was done by Alexandre Desplat [who did Argo]. We actually sent him an email to see if he’d do the score for our movie, but we haven’t heard anything yet. 

Wow. Let’s hope he comes through. That would be something. 

We have a lot of gear heads who read the blog. They’re going to want to know a little bit about the gear you use in the film. 

Barry: For cameras we used two Canon 5D Mark II’s. We’re using Dragonframe software to do the actual animation. It’s been used in a lot of features. It’s powerful and not that expensive.

Trinity: It’s great because it’s not as complicated as some programs, but it’s not so simple that it can’t do all the things you want. It’s really the perfect medium. The other cool thing about the project is that most of the lighting is done with lights we got at Home Depot.

Barry: We used to 1K source lights with soft boxes, but every other light was a Home Depot light. We built a grid over the field and used everything from 15 watt up to 300 watt, both clear and frosted.

Trinity: And a lot of gaffe tape. 

To help Trinity and Barry finish their project, contribute to the Kickstarter campaign, here.

Here are some behind-the-scenes stills from the set of Me & Ewe. Enjoy:

Turn Love Into Money — Matt Schwartz’s 8×10 Polaroids Kick Instagram to the Back Seat

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The phrase “Old school” can’t do justice to New York photographer Matt Schwartz’s methodology. Lugging around an 8×10 Polaroid camera to shoot stylized surf-themed pics (that are pretty easy on the eyes) that could pass as faded stills from unused Endless Summer clips, Schwartz has eschewed the conveniences of the modern camera and smart phone camera apps for an approach that has never let him down. That he does it without commercial motivation may be exactly why he has had so much commercial success.

Matt’s story is hard not to love. When his first attempt at selling his work to an ad agency failed, he went completely DIY and hired his own models and bought his own props to realize his vision. That vision has since caught the eye of Billabong, Levis and Surfrider, to name a few. He has maintained the same process and style without conceding to more commercial demands (cue my always-running speech about personal work). It continues to pay off.

I reached out to Matt to share with you all a bit about his work and his vision.

Your work has long been lauded for its trademark style. What’s the process behind that style?

MS: I take 8×10 Polaroids, pull apart the film and rub the negatives onto watercolor paper. The process is called Polaroid transfer.

Your subjects are predominantly female. What’s the story there?

MS: They are prettier than boys. Ha. I actually shoot women for my fashion/whimsical shoots, but shoot men for most of my surfing images. There needs to be an attraction of some sort (face, hair, clothes, aura, etc.) for me to be inspired to photograph someone.

What are a few of your influences?

MS: I am influenced by the beauty of surfing, ballet, yoga and music. I love traveling around the world to surf towns and immersing myself in everything.

Are there artists whose work you pay extra attention to?

MS: I like Chaz Ray Krider (erotic photography), Leroy Grannis (surf photographer) and a bunch of random illustration (juxtapose). I pay more attention to music than photography or other art forms. I am so immersed in my own work that I need an escape through sound.

How do strike a balance between personal and commercial work?

MS: Currently all of my work produced is for the purpose of creating. Images that need to be taken. Once I fall in love with an image I end up including it in the collection of work being sold. A few companies such as Levis and Anthropologie have purchased work for their stores. I have also worked with some surf companies on commercial work. I am branching out into the commercial world more and more each year, though I am very specific as to who I work with. I have been fortunate with my work where I can say “no” to offers. It’s weird when you get to a point and you can just say no, while someone is offering a lot of money, though at the same time it would cancel out who I was if i did any job.

What makes these different from other Polaroids?

Everything, as each artist is different. I have never pressed the shutter on my camera thinking about selling my work. I shoot because I have to capture beauty. When my work started selling I was playing music in a band. All of images were and have always been taken from the heart. With music there was always pressure to try and get on a small record label or line up shows, etc. There was no goal with my pics. They were just a hobby. I guess that is why they worked.

Check out more of Matt’s work here.

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