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Daring Greatly to Unlock Your Creativity with Brené Brown on #cjLIVE [Wed, April 9 @ 10am PT/1pm ET]

 Brené Brown Chase Jarvis LiveREMINDER: this show is TODAY Wed, April 9, at 10am Seattle time (1pm NYC, 18:00 London) and is broadcast LIVE at www.chasejarvis.com/live. Tune in, join the global internet audience + live Q&A w/ Brene, or just in by to say hey. Details below!
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I can say with clarity that the most defining moments of creative/professional success for me have required overtly pouring my most honest, imperfect, afraid, guts-and-all parts of myself into my work. In short – those successes were built on vulnerability – on being real. They were built on daring greatly. What do the viewers/consumers of your art really want? YOU. They want to see YOU. And in seeing YOU, they see themselves.

And so, we’ve got the perfect guest for #cjLIVE – a woman who might just hold the keys to the thing that’s been holding back your unbounded creativity…her name is Brené Brown. You’ve probably seen her on the TED stage (millions of views), or perhaps as a regular on Oprah (they’re pals), and at damn-near every bookstore (where Daring Greatly is a best-seller). But it’s not necessarily for all her accolades that you’ll want to tune into #cjLIVE this coming Wednesday April 9th. You’ll want to join our LIVE broadcast because you’ll have full access to Brené in a way that few other forums can grant — interactive Q&A with you from wherever on the planet you might be (via my Twitter and Facebook) and she just might have the keys to unlock the thing that’s been holding back your creativity. It was the missing link for me – and I’m guessing it’ll help you too.

WHO: You, Me, Bestselling Author Brené Brown + a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Wednesday, April 9th, 10:00am Seattle time (1:00pm NYC time or 18:00 London)
WHERE: Tune into www.chasejarvis.com/live. It’s free — anyone can watch and we’ll be taking YOUR questions via Facebook and Twitter, hashtag #cjLIVE

This won’t be a marketing lesson or a therapy session, but it will be be THE shortest path between your most authentic self and the professional/personal hold-up-the-mirror, tear-down-the-barrier “success” you crave. Hello, the new you.

A FEW KEY CONCEPTS WE’LL COVER ON THE SHOW
// Vulnerability does NOT equal weakness – it equals strength (the world’s best artists are living proof)
// How to cultivate creativity, “gratitude” & “worthiness”
// Personal + professional transformation happens when we ask the hard questions
// Explosive creativity happens when we have the courage to share our struggles
// How to harness the space between our aspirational values (what we want to do, think, feel + become) and our practiced values (what we’re actually doing)

And another big announcement. For those of you who know and love CreativeLive… The chasejarvisLIVE show is now broadcast on the CreativeLive network too! They are the world’s largest live streaming education company, has been featured all over the place like in the New York Times, Wall Street Journal, Time, CNBC, Fast Company, etc etc and we are joining forces to incorporate an even larger worldwide audience.

WITH THAT IN MIND….HELP US PIMP THE SHOW AND WIN STUFF.
In order to reach the largest audience possible, we’re kicking out a couple nice prizes… We’re giving away $200 worth of free creativeLIVE course credits to two (2) people.

Enter to win by promoting the show as many times as you can starting RIGHT NOW till the show begins. Send out a creative tweet OR Facebook post including #cjLIVE + @BreneBrown + any url pointing to THIS blog post. Be sure to use the hashtag and/or point back to my Facebook so we can track all your entries. We’ll select 2 of the best ones and give you a shout-out at the beginning of the show, along with access to the $200 creativeLIVE credits.

WE WILL ALSO GIVE AWAY MORE TASTY PRIZES DURING THE SHOW… including signed copies of Brené’s book. You gotta tune in to the LIVE SHOW for a chance at winning those.

JOIN US IN THE STUDIO.
Want to be part of the live studio audience? We’ll invite the first 20 people who send an email to production@chasejarvis.com to join us +1 guest of your choice. You’ll receive a confirmation email with attendance details if you’re one of the first 20.

SORRY: The in-studio audience is already overbooked.

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I’m doubting many people chose “be more vulnerable” as their resolution for 2014, but here’s a Ted Talk Brené gave about the power of vulnerability that may prompt a re-think. One of the most popular TED talks of all time…:

The KEY Characteristic Shared by All The Most Creative People I Know — And It Can Be Yours Too

I’m a huge believer in making art for art’s sake. Taking photos that no one is going to pay you for. Shooting films that aren’t commissioned or funded. Writing words that the world may never read. I’ve said before that doing and making always trumps talking about it, but there’s also a difference between the doing and making that pays the bills and the doing and making that brings joy, that hones craft, lights creative fires, and that brings meaning to your life. This is personal work. This is creating simply for the act of creating.

For some, that creative work may lead to more “work” work. For others it is meant to be given away, shared with the world.

Andres Amador (pictured above) falls in that latter category and yet is hugely inspirational across ALL walks of artist-friends of mine. With nothing more than a rake as his brush and the beach as his canvas, he creates huge and beautiful geometric patterns on the sand – patterns that last only as long as the tide permits. (Patterns not unlike those made by snow artist Simon Beck, whom we spoke to some time back.) Recently the California-based creative’s sand art projects passed across my desk and I carried his inspiration around with me for several days – I simply couldn’t shake the concept from my mind. He’s clearly an artist whose work speaks to the emphasis placed on process – the act of making, with an acknowledgment of the value we derive from that making and from the ability to appreciate something – even something entirely fleeting.

After days of pondering, I arrived at the belief that it’s his approach / attitude / priority toward creating + making for the joy of creating, and having a point of view about that which was so compelling. And I’ve come to believe with great conviction that this is a characteristic shared by all the most creative people I know and the most successful artists – the process alone makes the juice worth the squeeze. Sure there’s other stuff at play, but all great artists take joy / pride / love / appreciate the making process. (Thx to my pal Rick for the juice/squeeze saying ;) )

Looking back – not all that far – I think this is what’s missing from 90% of the photographers who ask me to review their work. The awareness – through the work or the artists attitude toward his or her work – whether or not the work is for the works’ sake or some other masked reason. I think as art appreciators, we can smell the intention and it’s either authentic and hooks us, or it’s not.

Creating temporary art brings that right to the surface. And so as a maker of temporary art I wanted to find out more about Andres’s work. The results are the following interview. I tracked down Andres and asked him a few questions about his work and his process. My personal take-aways from my Q&A with him unlocked several key insights for me – check the interview below:

Andres, thanks for taking the time. You’ve really caught the world’s eye with your work. Certainly mine. Every artist has an origin story. Let’s hear yours:

I didn’t start pursuing arts with any seriousness until I was 28. I went to college studying environmental sciences. When I came home to San Francisco from serving in the Peace Corps in Ecuador, I soon became involved with the underground music and arts culture. My first trip to Burning Man marked a turning point. There I became friends with a group of people with whom I would go on to spend nearly 7 years exploring the arts. We formed a performance and arts troupe, living together in a run down building in the Tenderloin where we held arts and music events, bringing together a wide range of expressive styles. During that time the beach art began.

It happened during a trip to the Hawaiian island of Kauai. I went there for a month, bringing with me books to study ancient geometry. I was looking into the realm of sacred geometry in order to speak with people about the sculptural art I had been making for the past several years, creating large installations for festivals. The sculptures used geometric supports and I was often asked about their meaning. With a friend I made a 2 day hike to a remote beach called Kalulau Valley. With an intense backdrop of deeply gullied lush green hills on one side (the opening helicopter scene in Jurassic Park was filmed in this region) and a solid curling crystal clear wall of beach breaking waves to the other, I did an internal journey for several days. On one of those days my friend and I were playing in the sand with our walking sticks, doing calligraphy as we had seen in the movie ‘Hero’. That led to drawing designs, which led to drawing circles. The geometry I had been studying came to me and I started explaining what I had been learning- the circle representing the unity, the 2 overlapping circles representing the multiplicity, the 3 overlapping circles creating the triangle, the first 2 dimensional form, and so forth. It was though I was hit with a bolt from the heavens – I had a vision that I could do enormous designs such as I had been studying and I could picture exactly where I would do them, at Ocean Beach in San Francisco, with it’s wide flat beach. It was several weeks more before I could actualize what I had envisioned (the Kauai beaches being far too narrow and steep, with coarse grains that dry too quickly). When I got home, I immediately went out to the beach to see if my vision was true. The first run was a product in the moment, using my hand to make the marks. The next time I went back several days later it was with the tools I continue to use to this day and done near the cliff so I could look at it from above. The second piece was huge, I was off to a running start.

I imagine you feel an instinctive attraction towards the sea. Can you talk about that? When did it begin? How did it manifest itself?

There are two types of places I feel drawn to- the ocean and mountains, especially mountain rivers. I particularly love where the coast meets the mountains. The ruggedness, the drama. It was at such a location that the beach art was born. I have loved to explore coves, with their tumbled boulders and spire outcrops in the water, tidal pools and mussel encrusted reefs. I can spend the entire day at the beach. And I love to explore mountain rivers- huge piled boulders, waterfalls and pools, steep walls. Both locations are products of water, constantly moving water.

Growing up in San Francisco, I would often explore Land’s End, an area along the SF coastline with steep cliffs and hidden beaches. But it was not until the art on the beach that my life began to revolve more deeply around the ocean. Several years ago I moved inland, several hours from the ocean, to live on a family farm. My heart feels at peace on the farm, yet I feel the call of the ocean. It’s only been since moving away that I can recognize my desire to be near the ocean, where I have lived most of my life. My desire is to live near the beach again, perhaps in the Stinson area north of San Francisco.

There’s an inherent impermanence to your art, much like a Buddhist mandala. In this way it’s almost the complete opposite of a photograph. If our ideas and projects are our babies, how to you come to terms with the reality that your babies get routinely – and literally – thrown out to sea.

It feels more like my ideas are birds that I am setting free. It feels good to release them and allow them to be expressed and let go. Where do the ideas come from? Inspirations come from all around me, but it can sometime feel as though the ideas are simply moving through me, and I am their scribe. I actually find it a relief to actualize an idea, to get it out of my head and allow it life. I am then allowed to move on to the other ideas desiring expression. Having the ocean wash the work away can be frustrating when I am not yet finished, especially when I have worked hard and perhaps bitten off more than I can realistically chew. But the waves are also an essential aspect of the art in that they clean the beach and leave with me a freshly prepared canvas for my next visit.

I can’t claim to be a Buddhist but I have been influenced by its philosophy. The art is a focus on process over product. The act of doing the art brings me joy and whether or not a piece turns out as desired I feel complete with the experience simply for the opportunity to do it. The beach art has brought me into contact more than anything else I have done in my life of the impermanence of anything we can do, anything that humans can do, anything that ever exists. In the face of certain dissolution the question becomes, why do anything? My garage is filled with past arts. I can’t let them go, for they are dear to me. But the beach art I can’t hold on to. Knowing that the art can’t last has had me focus on the ‘why’ more than any other arts I have done. I find the ‘why’ to be the challenge and joy I feel in the doing of it. Its about being in the moment, which is a very Buddhist perspective. (as is non-attachment, of course!)

Although many incorrectly assume that much of the magic behind a great photograph is the combination of serendipity, quick thinking and a good eye, in fact there’s a TON of planning that goes into a shoot, and getting that single money shot. I think the readers would love to know how much of your art is preconceived – or planned – and how much of it is “go with the flow.” Talk process.

Good question. Of the hundreds of artworks I have done, there are only a couple of dozen that are truly beautiful images as photos. Not only are there the factors of happenstance of location, weather and lighting, the art itself may come out really great or may not meet my desires. I time the artwork to the tides, but I must also be aware of when and where the sun might be – the images are not nearly as vibrant after sunset, for instance.

Until very recently I have been relegated to the photographic vantage points that a location might offer me, which has been limited. This would dictate how the art could be positioned and the area I could use. Recently I have acquired the capacity to take photos from the sky via a remote controlled helicopter. This has suddenly given me the opportunity to truly utilize a location, to create an artwork that works with the whole landscape. I am just beginning the exploration of what this offers me, and I’m a bit giddy with excitement over the possibilities. Now more than ever I will be able to play with design placement and work better with the rising or setting sun to maximize the images I can capture.

Ultimately, it is ‘go with the flow’ as I must always work with what I am provided. There is very little control I can truly exert so I am always adjusting to the conditions present and making the best of what is happening.

How much location scouting do you do for your art work?

I do quite a bit of scouting. The tough part is that the only time I can get an accurate assessment of a location is during the kind of tide which I would actually do the art. So I am risking a good art day in order to check on a location. Thus I am ready to do art at the location and simply work with what I have available. Also, all beaches shift during the year. When I have a commission to do I often must scout a previously known location to see if it can still work for me.

While we’re on that subject, do you ever travel to distant beaches SOLELY to create your sand art?

Yes. I have traveled the California coast in search of good locations and there are several many hours away that I would go to for they are so nice. There is a lovely beach in Point Reyes with a waterfall emptying on to it that was several hours of walking to reach. And there is a huge beach, the largest I have had the chance to work on, south of Half Moon Bay that requires using a rope to assist in scaling down the steep hill and then a 1/2 mile walk to get to the starting spot.

On your website you advertise that you do commission work. Tell us a little bit about that.

I’ve done all sorts of work using the beach art. A big one for several years is creating marriage proposals. I might have rolled my eyes at that thought previously, but being part of such a moment is really quite special. I have done celebrations, working with guests to create together, and i have done memorials, helping to facilitate ceremonies. I have done several commercial commissions and am working on few at the moment, one being the creation of imagery for a clinic specializing in spinal care. I enjoy seeing how the beach art can be used, but the commissions bring me anxiety as I am unable to simply ‘go with the flow.’ When I am being paid there is the desire for payoff and the pressure is on.

How do you keep your work fresh and new?

There are times when it feels as though I am groping for what to do. But I have only to dip into my cache of ideas that I keep – photos of interesting patterns, cultural designs, and past sketches. I find that new directions are constantly coming to me. I am actually unable to keep up with the possibilities. The problem I sometimes face is that I seem to lack the time to develop the ideas as far as I would prefer. Also, the aerial photography capacity has me feeling like I have entered a new universe – the possibilities feel almost overwhelming. I have many years of exploration in the beach art, a lifetime, potentially, which is a comforting thought. Off the beach I have been using the same principles while using other materials. The main form this has taken is using straw, which is plentiful, cheap, and biodegradable. There is much to explore in this direction as well.

Is it possible for you to go to a beach, kick back and just relax?

Not really :-) Well, yes, when I know it won’t be a good tide day or the beach is not suitable. My recent trip to Mexico was this way often – the beaches were not so good for my purposes, so I stopped bringing my rakes.

I’m finding that there is a larger message coming through me. The success I have found in doing the art I do stems from engaging something that brought and continues to bring me joy in the act of doing it. I could never have set out to get to where I am with it. It was an outing by outing process which invigorated me and spurred me on to do more. I’m wanting to encourage others to follow that which brings them joy, regardless of the perceived outcome, for the process, the act is all that truly matters. It’s a lesson I bring to the rest of my life and I am grateful for its guidance.

For more of Andres Amador’s story and artwork, find him across these channels:

Website
Facebook
YouTube

Scroll down for more of his work:

Creatives, Geeks, Freaks & Voyeurs of the World — Join Me LIVE from SXSW!

UPDATE: this is TODAY! starting at 9am SEA time (11am Austin, 12noon NYC, 17:00 London) you can join into the conversation with your truly + the most creative minds from photo, design, tech & music. If I do my job right, you’ll get more insight in a weekend than at a semester of any college – all from people who have found success. LIVE at www.creativelive.com/SXSW. Ask questions all day at #UberLIVE or @chasejarvis.

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Certainly you’re in the know of famed South-By-Southwest (aka SXSW) – that two weeks every year where the creative, film, music & tech worlds all come crashing together in little ol’ Austin, Texas. I LOVE all that stuff, so I’m here all week and ….through the miracles of technology I’ve got 2 LOVELY THINGS to set right on your lap – both of which had better add a bunch of value to YOU, or else the next round of bourbon is on me.

THING #1
chasejarvisLIVE (my internet show) & creativeLIVE (my creative education startup) are having a man-child together this week in the back seat of a Cadillac Escalade. That is right, my LIVE show + the best in online education + the ridesharing service that has taken the world by storm are all coming together in one delicious collaboration to bring you LIVE-on-the-innnernetz, real-time interviews with the best + brightest luminaries from film, photo, tech & music worlds … all while rolling the streets of Austin in the backseat of an Uber. This is your free, front row ticket to join me and an insanely talented group of creative genius without leaving the comforts of your own internet connection, wherever that might be. Things are crazy here and this list is always in flux, but here’s a couple names you might recognize that I’m preparing to hang with and bring you their nuggets of wisdom & the inside scoop….

-Austin Kleon. artist and best selling author of Steal Like an Artist & his newest…Show Your Work
-Dana Brunetti. executive producer of HOUSE OF CARDS, the netflix original hit that has reinvented TV
-Kevin Rose. founder of Digg, Revision 3 & is now a partner at Google Ventures
-Brandon Stanton. photographer & creator of Humans of New York, the world’s most popular photo project
-Gary Vaynerchuk. entrepreneur, media maven, best-selling author and wine geek
-Kristen Chenowth. actress from Glee, The West Wing, BeWitched, and other stuff
-Steven Kotler. best selling author of Rise of Superman and guru for accessing & maximizing creativity
-Lewis Howes. Former pro athlete, entrepreneur, business coach & world record holder.
- and many many more…including..ahem..perhaps some surprise musical performances

Here’s where you can RSVP for the free #UberLIVE event, find more info, and watch the LIVE broadcast this Saturday & Sunday http://creativelive.com/sxsw. (srsly – you should RSVP)

WHO: You, Me, a handful of GENIUS people from SXSW + 100 countries tuning in worldwide
WHAT: Interview, discussion + a worldwide Q&A from the backseat of an Uber
WHEN: Sat & Sun, March 8th & 9th, 8am – 5pm Seattle time (10a-7pm Austin, 11a-8pm NYC time)
WHERE: Tune into www.creativelive.com/sxsw. It’s free — anyone can watch and we’ll be taking YOUR questions via Twitter, hashtag #UberLIVE, my @chasejarvis handle and @creativeLIVE too

THING #2
Heyyo. I’m giving a little keynote speech for this SXSW thingie on Monday, March 10th at 3:30pm (1:30 Seattle, 4:30 NYC, 21:30 London). Here’s the tasty link to that hot mess http://schedule.sxsw.com/2014/events/event_IAP18955. If you’ll be physically at SXSW, come join in, heckle me from the audience, throw tomatoes, or whatever. If you’re at home in your pajamas, rumor has it my keynote will be live-streamed, compliments of our friends at U-Stream, but I haven’t got a link yet – will update that ASAP when I get one and I’ll tweet to let you know.

Don’t forget to RSVP for #UberLIVE. And, as always, you can follow along here… Facebook, Twitter, and Google+.

HUMANS OF NEW YORK [Best Photo Project Ever] Brandon Stanton on #cjLIVE Wed Feb 19th — Plus Win 30 Days w A Dream Photo Kit

chase jarvis hony humans of new york brandon stantonREMINDER: this show is TODAY at 11am Seattle time (2pm NYC, 19:00 London) and is broadcast LIVE at www.chasejarvis.com/live. Details below – tune in & come say hi.
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I’ve personally nailed several large scale photo projects in my career…Personal work that I grew to a large scale project. And I’ve witnessed hundreds of great photography-based projects come to life in every corner of the world…BUT there may be none better than HUMANS OF NEW YORK, by Brandon Stanton. Seemingly overnight he took a simple photo project from inception to a global phenomenon with a worldwide audience of millions, plus turned it into a #1 New York Times best selling photo book, while staying humble & hardworking through it all. In order to follow his dream, Brandon quit a well paying day job and followed his passion …. with a certain savvy that can be learned by us all.

Lucky for us, Brandon will be our guest AND our private advisor / mentor / coach / inspiration for 90 minutes on the next episode of chasejarvisLIVE this coming Wednesday, February 19th at 11am Seattle time (2pm NYC, 19:00 London time) at www.chasejarivs.com/live. Specifically, we’ll learn the key ingredients for pursuing your YOUR OWN PASSION, how to stand out in a crowded, noisy world, and how to turn your dream life/project/vision into a reality.

WHO: You, Me, Photographer Brandon Stanton + a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Wednesday, Feb 19th 11:00am Seattle time (2pm NYC time or 19:00 London)
WHERE: Tune into www.chasejarvis.com/live. It’s free — anyone can watch and we’ll be taking YOUR questions via Twitter, hashtag #cjLIVE, and my the ChaseJarvis Facebook Page

***NOTE: if you are in Seattle or the PNW and can’t join us in-studio for the live broadcast, but still want to meet Brandon and have your book signed, we are hosting a reception / meet & greet / book signing immediately following from 12:30 – 1:30pm at my studio. There will be books on hand for sale. The address is 3333 Wallingford Ave Seattle 98103. Corner of Wallingford & 34th Street. Ground floor, Wallingford side of the building.

There’s a video at the bottom of this post that highlights HONY, but some more detail on what we’ll cover are here:
_How to conceive of a photography, art, or any project that matters to you
_What were the key steps to transitioning OUT of at 9-5 job and into a dream career
_How did Brandon teach himself to be a photographer?
_How to keep your dreams alive in the face of so much negativity and uphill odds

HELP US PIMP THE SHOW AND WIN THE MOST BOSS PRIZE EVER.
In order to reach the largest audience possible, we’re right now kicking off an amazing prize. To help jump start YOUR dream photo project, give you experience with the best gear in the business, or augment the gear you’ve already got, we’ve partnered with our pals at BorrowLenses.com to give you a chance to win a 30 day rental of a top professional camera body from Canon or Nikon, plus FIVE (5) amazing lenses. (details at the very end of this post). The equipment value is certainly more than 10 grand, and the rental value alone is more than $3000. The contest starts NOW and we’ll announce the winner on chasejarvisLIVE, Wed March 19th

To help wrangle this prize, we’re trying out a new widget below. It does a few things really well:
1. manages all entries into a secure database and properly randomizes a winner
2. gives you info about how much time is left in the giveaway / how many entries there are etc
3. allows you to earn extra entries by participating more deeply in the community (following on social channels, sharing, etc)

To enter just fill in your info in the widget below and follow along. Contest rules in the widget. And note: this giveaway is live all the way through 12 noon PST during the show on 19th February.

UPDATE: THANKS TO EVERYONE FOR ENTERING! The winner has been selected–give a holla for Courtney Zerizef. :)

JOIN US IN THE STUDIO!!!!!!!!!
Want to be part of the live studio audience AND/OR get photos + books signed with Brandon?? We’ll invite the first 40 people who send an email to production@chasejarvis.com to join us +1 guest if you’d like. You’ll receive a confirmation email with attendance details if you’re 1 of the first 40. Champagne, donuts, coffee and other stuff will be there too.

And then here’s a lovely video that Facebook made about Brandon’s project.

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The Camera Rental Package you could win is either….

Canon 1D X or a 5D Mark III
16-35 f/2.8L Mk II
24-70 f/2.8L Mk II
70-200 f/2.8L IS II

PLUS The 200-400 f/4L with Built-in Extender AND your choice between the 85mm f/1.2L or the 50mm f/1.2L Primes

OR ………..

Nikon D4 or a D800
14-24 f/2.8G
24-70 f/2.8G
70-200 f/2.8 VR II

PLUS the 200-400 f/4G VR II AND your choice between the 85 f/1.4F or the 50mm f/1.4G Primes

Whichever you choose, also enjoy a 1 year complimentary membership to BorrowLenses.com, which gets you 10% off rental orders, cancellations with no fees, and drop shipment of items you absolutely need even if they are out of stock for us. A $100 value and you get a t-shirt, to boot!

Chasing a Photo for a Lifetime [chasejarvis RAW video]

When the Seahawks raised the Super Bowl trophy before my very eyes last Sunday I couldn’t help think that I’d been waiting a lifetime for this. But it was far more than being born + raised in Seattle that overwhelmed me – it was that I knew I’d captured a photo that I’d been chasing my entire life.

ENTER, the 12the man. Backstory courtesy of Wikipedia.
As most [American] football leagues allow a maximum of eleven players per team on the playing field at a time, referring to a team’s fans as the 12th man implies that they have a potentially helpful role in the game…The presence of fans can have a profound impact on how the teams perform…Thus these fans will often create loud sounds or chant in hopes of distracting, demoralizing and confusing the opposing team while they have possession of the ball; or to persuade a referee to make a favorable decision. Noises are made by shouting, whistling, stomping and various other techniques.

SO, while I’ve spent so much of my life steeped in athletics — from my middle school years as raucous little skate punk, to an athletic scholarship that put me through college, further still to a life spent in part making art around the lives and dreams of athletes from every corner of the globe — I had shot literally millions of images of the highest levels of competition known to humankind, yet I had never done any meaningful photography of… “the fan”.

NOW….armed with a lifetime of supporting my beloved Seattle Seahawks, as a kid in the 80′s when we could never beat John Elway’s Denver, to the 90s when my grandma gave me her season tickets and it was hard to get anyone go to the game with me let alone sit thru all 4 quarters (because we sucked), my team was finally headed to the big game. Never before in history was there a better time for my undertaking. SO, dreams do come true, and over the course of last weekend while 99.99999% of the cameras were focused on the field of play, I had the distinct opportunity to meet, wrangle, hang with and –most importantly photograph — hundreds, even thousands of “12th Man” Seattle Seahawk fans.

The following is a short vid we made along the way to share this all with you. Amidst the street photography, face paint and fan fare, be on the lookout for a floating BudLight hotel, a Foo Fighters concert, a muppet with a gun, a full court swish, a broken camera, cameos from Anchorman’s “Champ”, a bacon cheeseburger bigger than my torso, and –the man who made it– Epic Meal Time’s Harley Morenstein.

Big big ups to Big Chocolate + K.Flay for the beats. This song is so dope.
And double up thanks to BudLight for making all this possible. We had a blast, made some mischief, and made some art.

The final piece is a limited edition 36×60″ Giclée Print. Inquiries here.

chase jarvis 12th man

7 Lessons Anyone [YOU] Can Learn from Macklemore & Ryan Lewis

macklemore grammysThe Grammys are a usually a lovely nightcap to the previous year’s music. Some celebration, some tension, a little drama and some nice performances. And whether or not you agree with where the Grammy Committee’s voting ended up in any category – one thing is for sure: 4 Grammy’s from Macklemore & Ryan Lewis – who to this day are not signed to a record label – is impressive. And perhaps what’s more impressive IMHO is that they built their success on their own ethos, according to their own plan, from when there were no “opportunities” coming at them from every direction.

Am I biased because I’ve known these cats for a while…Yes. Probably. (disclosure they played #chasejarvisLIVE in 2011 and first performed some of the tracks a capella at a little dinner party at my studio [video]) Yes, they are they wildly talented (Ryan’s actually a great photographer too), but IMHO that’s not what made their meteoric rise to 15x platinum and 4 Grammys possible. What made it possible was certainly some real talent BUT it’s also a handful of things they know that YOU can begin applying to your life/career/passion right now. Here’s 7 things:

1. Freedom is More Important Than Money
Sure having some baseline amount of money is helpful, but there is no denying that the freedom to say what you want through your art, to call your own shots and control your own destiny is supreme. Had M&RL not kept their independence (and the key it to keep it gracefully – no need to be an ass…), they’d be nowhere near the success that they are today. Releasing a single about marriage equality on a hip-hop album? The “label” would never have “permitted” such a thing if they weren’t independant. So whose ass are you kissing right now that you shouldn’t be? I’m banking that if you kept your freedom (and kept it positive -i’m not talking about being a grump) that the rest will follow. And this isn’t just about money really either…I’m talking about all the upside.

I’m guessing that there are decisions you could be making to keep your ability to be nimble – to play to the beat of your own drum…to scratch your own itch (even if that itch is being in the service of others). Follow those freedoms, not the other stuff.

2. Setbacks are Temporary
When I first met Ben in 2009 he was living in his parents basement having just come out of rehab. He had found some local success with an earlier, locally released EP but soon found himself resting on his (albeit local) laurels, only to find that he was hitting the peace pipe and drinking cough syrup instead of diving into his work. He’s said on lots of occasions how low he felt – that he might never be able to make music again, but that he would give it everything he had with a fresh outlook on life. He found Ryan and boom. If you’re like me, there are setbacks everywhere. They never end. It might take living in your parent’s basement to realize your dreams. It always feels like I’m moving 2 steps forward and 1 (or sometimes 2) steps back. Shed the voices in your head that are keeping you down. Setbacks are temporary. They are meant to keep everybody else out, not you. The breakthroughs happen just when you think your at the end of the line. Trust M&RL on this one.

chase jarvis macklemore and ryan lewis3. Only YOU Are in Charge of Your Personal Brand
I remember when I realized HOW in touch Ben & Ryan were with their brand M&RL when the emailed me one day asking if I had a RED camera they could borrow to shoot their next video video. They’d had some good vids to date, but they wanted creative control – they know how they wanted their creative vision realized and they wanted to own it front to back. That was for the video shoot of Thrift Shop. Seems like they…um…pretty much nailed it (487 MILLION views and counting….). That they had a)the desire; b) the balls to go for their vision says it all. Throw in the fact that they put their physical CD is a box made of alligator leather for god’s sake and you get the point.

What are you doing to make your brand different – not better? I bet you can think of 5 things in the next 5 minutes that helps your brand stand out from the noise. When you finish that list, nail it to your bedroom wall and reference it often.

4. Have a Point of View
In a world of mass messaging, right and left points of view, and chest thumping me-ism, I see so many artists who are reluctant to let their true colors shine. They’re worried that having a point of view might alienate a subset of fans or followers. Well, that’s bullshit. Because the only reason you’d want fans and followers is to genuinely connect with a community of like minded people – connect your authentic self with theirs. Referencing #1 above – you think it didn’t take balls to stand up for a belief in marriage equality amidst the typical hiphop anti-gay mindset? Sure it took balls, but that’s wht M&RL believe and so they found it a perfect thing to write about – with confidence. I spoke to them about it here. THAT is called having a point of view.

I’m guessing there’s a few things in your world (I know there are in mine…) that you’ve been scared to put out there. Dimes to donuts that this thing you’re holding inside will be a huge benefit when you get out of your own way and share that thing, own that thing, have a point of view. The people that will care about that thing are the people you’ll want to connect with anyone. So what are you waiting for?

chase jarvis ryan lewis cjlive macklemore5. Collaborating with Your Friends is a Good Thing – surround yourself with good people
When M&RL put out The Heist, they made it local. They made it with their friends. The solo’s and featured artists on their album? Almost entirely local talent…friends, people they admired, and by and large people without name recognition. But that didn’t matter – they made their album and their art with their circle of friends. Their tour and merch manager Tricia is Mack’s fiancé. Why chase the party when you can make your own.

So instead of waiting around to collaborate with Bono – why don’t you collaborate with your best friend, your makeup artist pal, your uber-talented homie from around the way. Again, why chase the party when you can make your own?

6. Don’t Let Them Put You in a Box
When I first heard Ben’s rap – it put me off balance. “Whoa – this is different” I thought. Which is part of why it works. I noticed it. Throw in Ryan’s beats and the whole thing goes to a different level where your brain doesn’t quite know which box to put that in… Our brains are pattern recognizers – which is why when you don’t fit into a typical pattern you STAND OUT. One Grammy committee almost didn’t let their music be classified as Rap – they wanted it filed under Pop. It caused controversy. But it didn’t matter. Ultimately it got the rap nod and then…lo and behold…claimed Best Rap Album and Best Rap song, Best Rap performance. They just made music they wanted to make and then let the world comment on it. The rest took care of itself.

So many creatives have spent too much time studying their peers our neighbors and reading the rule books written by others. Here’s a little secret – those people who wrote the rule books did so to keep you out. Break those rules, ditch that box as best you can.

7. Community is King
In their Grammy acceptance speech, Ben opens with [paraphrase] “Wow, we’re on this stage…And we could never have been on this stage without our fans.” This is true for the Grammys, but it’s also true for life. M&RL have connected with their audience in a way that I’ve rarely seen in this age of pop culture. It’s authentic, it’s humble, and it’s hard working.

The same can be said for your approach. I’ve said it here and here before: Things don’t make things happen, people do.  The world of achieving career success is a world where community is front and center – whether you’re building your own business as an independent artist or you’re making a dent from within the machine of a bigger company.  Your friends, supporters, fans, network – however you define it – is a huge is a requirement to unlock your future. What are you doing to build your community? In what ways are you giving back and asking for nothing in return? Don’t just reach up…be sure to reach sideways and down as often as you can muster.

Much respect to M&RL. Now I recommend we all get back to work at tackling our dreams.

chase jarvis macklemore ryan lewis

Travis Rice: 60 Second Portrait of the World’s Best Snowboarder

One of the many things I love about Travis Rice is his refusal to be pegged into a single hole. Yes, he’ll always be a snowboarding legend, but that athletic pursuit is powered by a creative, artistic soul, as evidenced in one way by his art gallery initiative, Asymbol, and in another by his on-going work with the Brain Farm cinema crew.

When I had Travis on cjLIVE last year [re-watch here], he spoke of being bold, and being different. It was about 6 months later that he walked the talk, and pulled the curtain back on Asymbol, his online + physical gallery celebrating the artist/athletes who capture the raw beauty and energy found in the moments that make up a snowboarder’s life, run, park session, etc. [Check out Travis's curated corner of the gallery, here.]

This 60-second portrait of Trav is a part of my ongoing project (now created about 50 of these – from Macklemore to Reggie Watts and beyond) and was shot when he was on our set for cjLIVE. Enjoy and share with your Snowboarding homies — I’m banking they will appreciate this nugget featuring the world’s best.

LIVE Shoot from Inside a Frickin’ Volcano [RENEGADE #cjLIVE -- this Friday, Jan 17]

chase jarvis jp canlis photo 3UPDATE: this broadcast is TODAY! Join us at 9:30am Seattle time (12:30 NYC and 17:30 London) here at www.chasejarvis.com/live as we hi-jack the live feed from the Museum of Glass and go LIVE from the biggest and best hot shop in the world… mixing the worlds of photography + glass blowing with yours truly and my homie JP Canlis. Of course, taking questions at #cjLIVE via Twitter and my Facebook.

Ok. So maybe it’s not an actual VOLCANO, but it’s just as hot. Read on…

My favorite part of the new world order is access. Access to behind-the-scenes ideas, information, and lives of others AND granting that access into mine. We all get to watch “the sausage being made” …as they say.

Well – access (and sausage) you will get this Friday January 17th if you tune into this SPECIAL EPISODE of www.chasejarvis.com/live between 9:30am – 1pm Seattle time (12:30 – 4pm NYC, 17:30 – 21:00 London) for a special “renegade” REMOTE edition of chasejarvisLIVE. What the hell? Exactly. While the “normal” #cjLIVE shows are broadcast live from my studios in Seattle with a guest and a crowd and some ideas (and occasionally some bourbon) this Friday’s episode is anything but that… In fact I’ll be sharing an exclusive peek into a fine art project I’m working on…in progress

Indeed, YOU are invited drop in for a glimpse of a collaboration between yours truly and my dear friend (and brilliant Seattle-based glass artist) J.P. Canlis. JP’s work is collected worldwide (including the likes of the Crowned Prince of Abu Dhabi). We will be at work and coming to you LIVE and in the heat of it (literally) from the molten hot magma hot shop at the Museum of Glass, the world’s premier glass museum and one of the world’s top glass art facilities in the world.

What you will see will NOT be a staged demo of any sort. Instead you’ll be dipping your toe midstream into an authentic artistic collaboration between yours truly and JP Canlis that we’ve been working on for the past couple weeks as a part of JP’s artist-in-residency at the museum. We’ll be engaged in a real-time, never before attempted (for all we can tell) creative process mixing my photography with JP’s molten glass. Yes, we don’t know what will happen. Since we’ll be in the hotshop – which is NOT my normal habitat – I will be primarily hosting the ramshackle affair WHILE I’M WORKING and taking your questions via twitter and Facebook in realtime during the process.

THE DETAILS
WHO: You, me, glass artist J.P Canlis and a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Friday, January 17, 9:30 am-1 pm Seattle time (12:30pm-4pm NYC time)
WHERE: Tune into www.chasejarvis.com/live It’s free — anyone can watch!

Couple disclaimers:
1. The entire process will be broadcast HERE at www.chasejarvis.com/live (aka the normal #cjLIVE location) for your viewing pleasure.
2. This isn’t meant to be a polished production – you will be along for the ride on a real project that will be sometimes exciting and sometimes not. This is authentic, non scripted access, with us in a new and very different location.
3. I will be primarily focused on chatting with you all via the live broadcast – explaining what I can – in real time. So as always, questions on Facebook + Twitter via #cjLIVE.
4. The awesome peeps at the Museum of Glass are letting us use their broadcast tech and facilities so it’s going to feel a lot more renegade than normal…just how we like it ;)

It will be very casual – feel free to come and go as you please. AND!!! if you happen to live in the Seattle/Tacoma area – you are invited to literally drop into the museum hot shop right there in Tacoma. There is are seats there where you can watch us in the flesh.

Couple BTS snapshots from earlier in the project…

chase jarvis jp canlis glass

chase jarvis jp canlis

chase jarvis jp canlis

chase jarvis jp canlis

chase jarvis jp canlis

I Want to Give You $50,000 and Be Your Mentor for LIFE

We are living in the Age of the Artist. Never before in history has it been this easy for creatives to create, for artists to make their art. Yet still the masses are filled with those who postpone their artistic dreams. I say the worst thing you can do is postpone.

But some people just need a bigger carrot. So I went hunting and found a prize for you. Actually, I teamed up with my friends at Shopify and am offering YOU a chance at a check for $50,000 and my promise to be your mentor for life (or until you kick me out). Yes. This actually means we will be friends.

If you’re late to the party, here’s how to enter [in 3 easy steps]:

1. Go to the Shopify Build a Business page
2. Choose your category (I’m mentoring in the Art & Photography category, but choose what suits your artistic dream)
3. Start selling and kick your business into gear.

I figure the end game can only be 1 of 2 options:

1. You win the contest, $50,000 and a mentor for life; OR
2. You don’t win, but you’ve built that business you’ve always dreamed of, and it’s now a REAL THING that makes you money and channels all that creativity you never knew (or perhaps always knew?) you had.

If ever there was a win-win scenario, this is it.

So you’re not into Art & Photography? Fine – I don’t care. I means just as much to me that you follow your dreams. Read on, because Shopify certainly has your interest category covered. Maybe you’re into Music, Electronics & Gadgets, Jewelry & Crafts, Health & Beauty, Food & Beverage, Fashion & Apparel, or Sports & Recreation. Any of those ring some bells?

Your full mentor list to choose from depending on the above category.

// Lil Jon (hip hop legend)
// Tim Ferris (4 hour everything)
// Tina Eisenberg (aka swissmiss)
// Selita Ebanks (model & health star)
// Gary Vaynerchuk (wine & food guru)
// Damond John (founder of FUBU – star of shark tank)
// Mark Cuban (billionaire entrepreneur/owner of Dallas Mavericks
// Arianna Huffington (media maven)
// and yours truly

Here’s how you win:

If you start a business with Shopify and have the most sales in your category over a particular window between NOW and MAY 2014, then you win. Pretty simple. The longer, more detailed version of all that is here on the Shopfiy site. There is plenty of time to kick ass and sell your heart out, but the time to start is NOW. Oh ya…if you win, I’ll fly you back to NYC and had you the 50 GRAND myself.

chase jarvis mentor build a business shopify

DigitalRev TV uses a GoPro to Fake my Hasselblad Masters Photo

Each time I have the good fortune to work with DigitalRev TV and my friend Kai Man Wong something memorable happens.

For example, you might recall the time that Kai and DigitalRev TV dragged me around Hong Kong with a Lego Camera on one of their infamous CheapCamera Challenges. The highlights included surprise runway models, aggravated kung fu fighters and eating pig’s anus on the street. Most recently Kai and his hilarious crew parodied my Facebook profile photo for Fake A Big Shot. The resemblance was, um, striking?

I decided it was time to turn the tables.

I showed up in Hong Kong to give Kai and the DigitalRev crew a taste of their own medicine. A CheapCamera Challenge of my design: To re-create a photo I shot with the Hasselblad H3D. This was a $25,000 piece of equipment in 2007 when I shot the photo. I gave him 8 hours … and a GoPro Hero3PLUS ($399) to get it done.

Here’s how the the final product compares to my original. What do you think? Check out the video above to see how he did it.

Chasejarvis_DigitalRevTV

Thanks to Kai and the whole DigitalRev TV crew for working on short notice and being such great sports. Subscribe to their channel here.

Get Off Your Ass & Get Noticed with Gary Vaynerchuk on #cjLIVE [re-watch]

What a way to end 2013 for chasejarvisLIVE. The show was amazing. Gary V brought the heat to discuss how you can break through the noise of the internet and get your work noticed. Are people not clicking on your photos? Are you you getting lost in the detritus of the internet? I’ve done a bunch of stuff with Gary like this, and this, and have wanted to have him on #cjLIVE for more than 2 years. But I had no idea what I was in for. Gary dropped the serious know-how. And he sat on my lap. That was a first for the show.

Gary also brought his new book to talk about. Jab, Jab, Jab, Right Hook (one of the best titles ever?) does a deep dive on some of the tactics and philosophies he has employed in his own career. It’s a great read. I give it a quick review here.

And when I say “great career,” I’m understating. Big time. Gary V is a hustler like no other. He built a $50m online business before he turned 30, then he latched onto the new web and was trumpeting the virtues of community + content before most people knew what the hell was up, then he wrote 2 New York Times best sellers about it. He’s also going to own the NY Jets. Seriously. Keep watching that channel.

Check the re-watch above, and then go pick up a copy of his new book. Or pick up two, and stuff one in somebody’s stocking.

Get Off Your Ass & Get Noticed with Gary Vaynerchuk on #cjLIVE [Tues, Dec 3 @ 10am PT]

Update: The show was amazing as Gary V brings brought the heat to discuss how you can break through the noise of the internet and get your work noticed. Are people not clicking on your photos? Are you you getting lost in the detritus of the internet? Gary dropped the serious know-how. And he sat on my lap. That was a first for the show. Jab, Jab, Jab, Right Hook his new book that does a deep dive on some of the tactics and philosophies he has employed in his own career. It’s a great read. I give it a quick review here.

This show was a great finale. And I can think of no better person to wrap up this year’s lineup than Gary Vaynerchuk. Gary V’s energy and vision is infectious. He is a hustler like no other. He built a $50m online business before he turned 30, then he latched onto the new web and was trumpeting the virtues of community + content before most people knew what the hell was up, then he wrote 2 New York Times best sellers about it. AND… lucky for us, he will be our private advisor / mentor / coach for 90 minutes on the next episode of chasejarvisLIVE on Tuesday, December 3rd at 10am Seattle time (1pm NYC, 18:00 London time). Specifically, we’ll talk about how to tell YOUR OWN STORY and get noticed in a crowded, noisy world. Because… let’s be honest… telling stories is what we do as photographers, artists, and entrepreneurs. It’s how we get traction in a marketplace and how we stand out from our peers.

I’ve done a bunch of stuff with Gary like this, and this, and have wanted to have him on #cjLIVE for more than 2 years. That all comes to a head in a matter of days as we discuss his upcoming book Jab Jab Jab Right Hook (drops TOMORROW – get a copy and do your homework) about how to stand out in a crowded market. This book was written for us.

WHO: You, Me, Social Media Marketer Gary Vaynerchuk + a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Tuesday, Dec 3, 10:00am Seattle time (1pm NYC time or 18:00 London)
WHERE: Tune into www.chasejarvis.com/live. It’s free — anyone can watch and we’ll be taking YOUR questions via Twitter, hashtag #cjLIVE

There’s a video at the bottom of this post that hits some highlights… but some more detail on what we’ll cover…
_The reason we love our parents is because they loved us first. Every single company should take this advice.
_Think of social media as the Internet. I can’t think of anyone betting against the Internet in 2013.
_We’re sharing things in our lives today we wouldn’t have picked up the phone to talk about 10 years ago.
_If you do not care about the end user immensely, especially in the next few years, your brand will die.
_There’s no reason in 2013, to do shit you hate. NONE.

HELP US PIMP THE SHOW AND WIN STUFF.
In order to reach the largest audience possible, we’re kicking out a couple nice prizes… We’re giving away $200 worth of free creativeLIVE course credits to two (2) people.

To enter, just help us promote the show starting RIGHT NOW by sending out a creative tweet OR Facebook post (pointing back to my Fbook page so we can find it) promoting the show and be sure to INCLUDE #cjLIVE + @garyvee + the short url to THIS blog post.

We’ll select 2 of the best ones at the beginning of the show, give you a shout-out, and access to the $200 creativeLIVE credits.

WE WILL ALSO GIVE AWAY MORE TASTY PRIZES DURING THE SHOW…
We’re giving away THREE $100 gift cards to BorrowLenses ALONG WITH 3 signed copies of Gary’s new book. You have to tune to the LIVE SHOW above to find out how to win.

Contest Rules here.

JOIN US IN THE STUDIO.
<<UPDATE: The studio audience is at capacity. To have a better chance at scoring a seat, join my email list on this page – I always notify that list first.>>
Want to be part of the live studio audience? We’ll invite the first 20 people who send an email to production@chasejarvis.com to join us +1 guest. You’ll receive a confirmation email with attendance details if you’re 1 of the first 20.

ANNOUNCING: My Latest TV Documentary Project “Portrait of a City” with PBS

A few years back you may recall I dove head-first into a project that explored my home city of Seattle. I interviewed, photographed, and filmed the movers, the shakers, and the changemakers to better understand the culture of my city’s beating heart. 106 influencers in total, across almost every creative discipline — music, food, theater, athletics, activism, education, you name it. I went on to publish a 250 page fine hardback fine art book, gallery show, a line of wine, a line of chocolate bars, sold out of nearly everything and donated all the money to charity. We called this project Seattle 100 (<-- bunch of photos). Here's the original launch blog post.

Like the city it covered, that project has continued to evolve. So today, I’m stoked to share with you here the arrival of Portrait of a City, a new documentary TV project I concepted, directed and co-produced with the help of my friends over at our regional PBS station, KCTS 9. In this show and series of short interstitial interviews we take a look at how music has shaped the character and culture of Seattle. From bands like Nirvana to Macklemore, I dug into innovators past and present, asked them to share their reflections, ideas, and passions for this unique force within our community. You’ll hear from KEXP music curator John Richards, cellist Joshua Roman, actor Sarah Rudinoff, DJ Riz Rollins, music impresario David Meinert, SubPop Records’ Megan Jasper, musician John Roderick and more.

Check out the KCTS online schedule to find out when Portrait of City is running on the boob tube near you or -if you don’t live in the region- watch it above.

Here are some regional upcoming air dates:

Thursday, November 28, 10:00 pm on KCTS 9 HD – Seattle/Yakima
Thursday, November 28, 10:00 pm on KYVE 47 – Yakima
Tuesday, December 17, 11:30 pm on KCTS 9 HD – Seattle/Yakima
Tuesday, December 17, 11:30 pm on KYVE 47 – Yakima
Tuesday, December 31, 09:30 pm on KCTS 9 HD – Seattle/Yakima
Tuesday, December 31, 09:30 pm on KYVE 47 – Yakima

And keep your eyes peeled for more interstitials to be released over time… the one that’s in circulation now is an interview with red hot homie Macklemore.

The filming seems utterly simple – which was the goal – but it was a little more complicated to get the look we ended up delivering. Keep your eyes peeled for a behind-the-scenes outline of the unqiue way in which we filmed this with 2 matching cameras, some teleprompter magic, and various other smoke and mirrors. Below are a few of those characters featured in Seattle 100 and Portrait of a City: Michael Hubb, Megan Jasper, John Roderick and Dave Meinert, along with some snaps of the gallery installation from the launch of the project.

chase jarvis seattle 100 portrait of a city

gallery opening - photo thx to buildllc.com

chase jarvis seattle 100 portrait of a city gallery

seattle 100 launch - thx buildllc.com for the photo

chase jarvis seattle 100 matt dillon

chase jarvis seattle 100 director lynn shelton

chase jarvis seattle 100 the blakes

chase jarvis seattle 100 ra scion

chase jarvis seattle 100 weirdo jeff jacobsen

chase jarvis seattle 100 book cover

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