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Making Films, Photos & Life DIFFERENT not just BETTER with World’s Best Snowboarder Travis Rice + Brain Farm Cinema [LIVE Today]

Travis Rice on chase jarvis live by ColeBarash.com

UPDATE: the LIVE broadcast is TODAY. Check out the post below and be sure to tune into http://www.chasejarvis.com/live — 11am SEA time (2pm NYC -19:00 London) — and enjoy the show. See you on air in a few…

You’ve heard me say it before – don’t sink all your effort into being incrementally better. Instead be DIFFERENT. Be BOLD.

This upcoming episode of chasejarvisLIVE is focused specifically on this simple idea. And my special guests for this episode epitomize this ‘different’ and ‘bold’ mantra as well as anyone I know. Like all of my guests, these guys aren’t ensconced in the “this is how it is” photo industry – they’re innovators from a parallel universe…. (and they are giving away some insanely cool stuff to promote the show – scroll to the bottom).

Yes, Travis Rice is the best snowboarder in the world. But what makes him the subject of this #cjLIVE is not really his skill. It’s that he is an innovator, a risk taker, a visionary the star of the most progressive action sports film ever made (The Art of Flight). He’s a bold and creative leader in his crowded and noisy industry.

Analogously, Chad Jackson hails from Brain Farm Digital Cinema. He and his partner Curt Morgan are the makers of the most innovative, high caliber and DIFFERENT action sports films in the world (eg. The Art of Flight). By using unique techniques and special cameras (like the phantom), leveraging relationships and their special vision, they have broken away from the old action sports film paradigm to set a new bar, a different bar. Tune in.

WHO: You, Me, Snowboarder Travis Rice and Brain Farm Digital Cinema EP Chad Jackson + a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Wednesday, October 24th, 11:00am Seattle time (2pm NYC time or 19:00 London)
WHERE: Tune into www.chasejarvis.com/live. It’s free — anyone can watch and we’ll be taking YOUR questions via Twitter, hashtag #cjLIVE

HELP PROMOTE THE SHOW, SCORE STUFF.
1. In order to pimp the show and help bring together another ginormous worldwide audience, Travis is giving away a signed Lib Tech snowboard. YES, you read that correctly. Also, he’s giving away a signed copy of The Art of Flight photo book (it’s gorgeous). To enter to score either one of these send out a creative tweet that contains the URL (or short URL) to THIS post + hashtag #cjLIVE starting NOW and ending at the beginning of the show on Wednesday, October 24. Enter as many times (tweets) as you want — tweet and retweet — Travis and I will be watching for the most creative shoutouts.

2. Also, this is HUuuuuGE. Manfrotto will be giving away an incredible kit of gear during the episode. Bucks deluxe…

-Manfrotto 290 3-section carbon fiber tripod with quick-release 3-way photo head (I use this tripod)
-Manfrotto Midi-36 LED Light
-Manfrotto Stile Bella V Black Shoulder Bag 
-Manfrotto Lino Apparel Soft Shell Jacket
-Manfrotto Lino Apparel Photo Cap

We’ll tell you how to enter – but you gotta watch LIVE to nail this one…

Contest Rules
LASTLY, JOIN US.

Lastly, if you want to be part of the live, in-studio audience, send an email to production@chasejarvis.com with “The Art of Flight” in the subject line. Winners will receive a confirmation email with attendance instructions. Bonus points for tweeting about the show and sending folks here.

Special thanks to our cjLIVE show sponsors: HP, Broncolor, Manfrotto and B&H. We genuinely love what they do, make and sell.

We would also like to welcome our long-time friends liveBooks to the show as well. I have been a Livebooks user for years and am excited to have such a great creative partner joining chasejarvisLIVE.

Please follow them on Twitter at: @hpprint, @HasselbladBron, @manfrotto_tweet, @BHPhotoVideo, @livebooks

Photographing Time – Artist Jay Mark Johnson Captures the 4th Dimension

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“You unlock this door with the key of imagination. Beyond it is another dimension – a dimension of sound, a dimension of sight, a dimension of mind…”

So began every episode for the famous Twilight Zone series.

And so should a viewer be forewarned when gazing upon the surrealist images of Jay Mark Johnson. For these truly are an exploration into another dimension. [Now that you are forewarned, go ahead and browse through his work in the gallery above.]

Before you even go there: No, these are not photoshopped.

What Johnson has done is use a slit camera that captures a narrow vertical sliver of a scene. By snapping a sequence of shots through that slit and lining them all up together in chronological order, Johnson is left with a single piece that essentially depicts the passage of time as seen through that narrow slit. In this sense, each photograph is actually a composite of hundreds of very slim images.

Things get real interesting when an object or objects in motion — like crashing sea waves or a leaping dancer — is captured.

Groovy perspective, right?

Eyeist.com Helps You Build a Kickass Portfolio

In case you missed our December 6th, 2011 episode of chasejarvisLIVE, it was all about the portfolio. We had Allegra Wilde, visual strategist and co-founder of eyeist.com on the show, talking about common mis-steps and some of the best ways for your work to get noticed. She even gave us a quick portfolio review and a sneak peek at her upcoming service eyeist.com. Yesterday Allegra and her partners launched their product for the world. Check it out here. It’s a service that will truly help photographers worldwide.

The company has assembled a team of over 50 reviewers, who are among the most respected photo experts and authorities in the field including Photo Editors, Publishers, Photographers, Advertising Agency Art Buyers, Photo Agents, Gallerists, Museum Curators and more.Registration and image uploading is free at Eyeist, and photographers can purchase their review from an a la carte menu of services including selecting a Basic Review and receiving a recorded oral critique, a Website Review, a Live Review in real-time using Eyeistʼs innovative interactive workspace, or a Photo Editing andSequencing review of their photography project. Base prices range from $100.00 to $350.00 and photographers can request a specific Eyeist Reviewer or ask to be automatically matched with a reviewer according to their needs. All of the reviews at Eyeist are completely private, but as an added public feature, there is a section of the site in which Reviewers can highlight work that has been submitted by photographers during the review process. These projects will be showcased in a specially curated “Reviewers Choice Gallery” which provides an open acknowledgement for the photographer in the eyes of the Eyeist Review Team. Allegra comments:

“Weʼve seen plenty of public forums that comment on photography, but this is the first time that experts have been given their own platform to contribute their opinion on what theyʼre seeing—and liking—all in one place.”

Business Essentials for Creative Entrepreneurs with Ramit Sethi

ramit sethi chase jarvis creative live

Big news. Ramit Sethi is doing a 3 day intensive course on creativeLIVE starting today. Right NOW in fact. If you know who he is and why I’m so stoked, go to creativeLIVE.com/live RIGHT NOW for free. If you don’t need or want to earn money with your creative work then no worries – total respect – skip this post and jump over to 13 tips for a more creative success (one of my fav posts). But if you do want to earn money or make a living with your art and DONT know why I’m so pumped then read on….

BACKSTORY
One of the most popular cjLIVEs last year was the Ramit Sethi episode. More that 25,000 people watched the 60 min live broadcast from 100+ countries, another 100,000 hit the re-watch in various places. And for good reason – it was a game changer for lots of people. Ramit is not a creative guru, a filmmaker or a photographer – this blog, my constant spouting, etc are full of that yummy stuff. Ramit is different. He’s a genius at teaching creatives like you and me who lack some business chops how to position our work. By example, in that single chasejarvisLIVE episode Ramit went into very specific detail about:

// how to win jobs by preparing ahead… specifically the “portfolio” or “briefcase” techniques…

// how to negotiate higher rates for your creative work – the very specific words to use that demonstrate high end value and vision

// how to position yourself as a high end creator – not a commodity that goes to the lowest bidder

// how to position yourself as the prize in any negotiation around you and your work

I’ll be honest – the reason I hosted Ramit onto #cjLIVE was because we’d met last fall and I learned more about the business of positioning yourself in n 1 hour talking to Ramit over dinner than I had from anyone prior to him. More than agents, managers, Hollywood people, marketing people etc. It was a shock, because I considered myself pretty good at that shiz… but he blew me away. The reason? Turns out he’s a Stanford educated behavioral psychologist. He understands value, perception, human delivery, persuasion, confidence and so many other things that – until he revealed them to me – were just nebulous concepts.

So don’t be fooled by the title of his NY Times best-selling book, I Will Teach You To Be Rich. Yes, he’s a personal finance guru – and you should listen to him for that advice as well (my wife and I are on his savings “plan”) – but why you should watch his 3 day course at creativeLIVE this week is simple – he’s great at teaching all these soft skills I’m talking about that will separate you from the rest… landing gigs, scoring that agent, billing higher rates, and getting respect in a crowded and noisy industry.

Check it out.

[aside - I'll be dropping into his show on Friday for Q&A. Stay tuned to my social feeds]

Uncanny Upside Down Photos — The Faces of Unemployment by Marc Vicens

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I am a big believer in aiming to be different, not necessarily better than everyone else. Marc Vicen’s recent work, a collection of portraits named, “Hanging – The Faces of Unemployment,” is a great example of coming with an angle that turns your photos and thinking, um, upside down. Here is the explanation from Marc’s website. Click through the image tabs above to get a sampling.

“The practice of a globalized economy vertigo, has resulted in a situation that has led many people to feel or be “hung”. Marc Vicens has its special way of looking at this, more and more large group and achieved a surprising result. It’s not just the personal image of “hanging”. Marc has managed to reflect the “new expression” that occurs when a person is in this desperate situation. It is like entering into the feeling of anxiety that governs the daily life of these people. Reality is inverted resulting in an image photographed naked sentiment. It is the expression of the anxiety experienced by anyone because of a destructive economy, feels or is “hung”.”

To see more of Marc Vicens work go here.

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Via PetaPixel

Emerging Talent — Jared Lim’s Colorful Architecture

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Urban jungles can be indifferent and cold, but Jared Lim has a different perspective. His architectural photos are bright and alive. Regardless of whether the image is complex and kaleidoscopic or simple and geometric, each image contains a captivating structure. Indeed he must make the architects who designed these edifices sing with joy. Click through the images above to see more of Jared’s work.

Jared was kind enough to indulge me with a few Q&A’s:

As I understand it, you started shooting while traveling for work. What is this job that takes you all over the world?

JL: Actually this is a sticky question, just say I work for the travel industry and that gives me the opportunity to travel to most major cities frequently.

What drew you to photograph architecture?

JL: I have always loved geometry, lines, curves, pattern and abstract designs. Architecture seems like a great way to express them.

Do you seek out your locations, or simply happen upon them?

JL: I do not really seek out my locations. These locations are the cities that I happened to be in for my work.

Tell us a little bit about your creative process, both during shooting and in post.

JL: I try to get my composition and lighting right during shooting so as to minimize the amount of post correction work. Post work mainly involves correction of lens distortion and perspective, because I am rather meticulous in my composition. I love strong colors and most of my work reflects that.

Any tips for shooting architecture?

JL: For me, taking pictures is rather instinctive. The facades of buildings give them
distinctive characters, like living things. I prefer to extract designs from building that tell a
story rather than photographing the whole building like Rhythmic Displacement, Braille, The
Non Conformist, Diagonal Path, etc…

Anything else you’d like to add?

JL: Like Chase Jarvis said, “Aim to be different, not better than everybody else.” The whole idea in photography is just to present your own point of view. So be experimental and play around.

Check out more of Jared’s work here.

Same Love — MACKLEMORE & RYAN LEWIS’ Latest Effort: “The Heist”

Back in July we had MACKLEMORE & RYAN LEWIS on chasejarvisLIVE as part of our Capitol Hill Block Party broadcast. They did an interview with me about their new track “Same Love.” Check it out above. Today that track, part of their new album “The Heist,” hit #1 on iTunes. The video, featured below, is powerful and beautiful. Great message. Great music. Enjoy.

and checkout/please support Music4Marriage.org.

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Chasejarvis_theheistworldtour

New Music Dropping Today — MACKLEMORE & RYAN LEWIS [video]

Last year we were fortunate enough to host some great friends on chasejarvisLIVE — perhaps the fastest rising hiphop act in the country — MACKLEMORE & RYAN LEWIS. Today the Seattle duo independently released their latest work: “The Heist.” The effort brings artists like Schoolboy Q and Ab-Soul to the table in a 15-song album. It is their first project since 2010′s re-release of their debut The VS. EP and it is AWESOME. And I’m not the only one who thinks so — they are in the midst of a world tour that has been selling out everywhere. [They will be in Seattle Friday at the WaMu Theater]

They joined me onstage to drop knowledge about staying true to one’s art, the evolution of creativity in a digital age, and more. And as a massive bonus, they followed it up with a fresh-ass LIVE set. We’ve cut the set up into individual tracks – here are four videos of awesomeness from MACKLEMORE & RYAN LEWIS.


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iTunes link to the album
iTunes link to the deluxe album
Link to the full cjLIVE episode

Chasejarvis_theheistworldtour

Coloring the Past – Blaspheming the Sacrosanct or Laudable [Re]Creativity?

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Swedish artist Sanna Dullaway dropped some of her latest work on the Internet recently and responses have been all over the map. Dullaway’s recolorization process sees her take iconic black and white photos [Abraham Lincoln, Teddy Roosevelt, Anne Frank] and sprinkle rainbow dust all over them. [The actual process is a little more complex than that. For a taste, check out this YouTube video demonstrating the recolorization of the classic 'The American Way' photo. And then take a closer look at Dullaway's work in the gallery above]

There’s no shortage of opinions on the transformations. I’ve heard everything from “brilliant” to “blasphemy.” The latter seems a bit harsh. At worst these can be regarded as a vain attempt to improve upon classics, sort of like remaking Total Recall. Are the colorized versions are “superior” to the originals? That’s always come down to personal taste. And where that’s concerned, well, who doesn’t find their breath short when the orange flames and robes explode from the screen in the Burning Monk shot? And that cool blue of the car, invoking the water we all so desperately want to douse on the man? That’s a worthy artistic exploration in my book.

Emerging Talent — Rohan Phillips’ Aussie Truck Drivers

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This black and white portrait series has been a hard won achievement by Australian photographer Rohan Phillips. At only 27 years old, much of his teenage and adult life has been spent in and out of hospitals battling life-threatening health problems, including digestive tract paralysis and testicular cancer.  Even after a successful surgery to remove the tumor and cancer cells, he still needs to be “attached to a feeding machine for 17 hours a day, which pumps liquid nutrition through a tube surgically inserted below my stomach. It needs to be plugged in to a power point, which means I need to be lying in bed or sitting down for most of the time between 6pm and midday the following day.”  There were periods where he didn’t feel well enough to leave the house for months, and when he could, it would be to go shoot at a truck stop.  His escape is the very same place where we simply stop to fill up our tank.  This guy gives meaning to the word ‘perseverance.’  Click through the photos above to see more of Rohan’s work.

I had to know more about how he captured such intense emotion in these tough dudes.  Here’s what he had to say:

Why truck drivers?

RP: As a young boy, I was always fascinated by anything with wheels and an engine, particularly big and shiny behemoths like Australian trucks. Around the age of 10-11, my dad would regularly drive me around the industrial areas in my home town of Adelaide, South Australia. With an old 35mm compact camera in hand, he would stop if I saw any interesting trucks parked in yards and factories so I could get out and snap a few photos of the rigs that caught my eye.

While at the local truck stop one day, a truck driver yelled out for me to come over and take a picture of him. Despite being only 32, he had a very weathered, lined face and grey hair. I snapped a few pictures of him, as well as another truck driver who was nearby.  I was quite taken with the portraits, and started going to the truck stop more regularly with the intention of mostly photographing the drivers.

Compared to most other professions, truck drivers are an absolutely fascinating breed unto themselves, with incredibly interesting faces to accompany their entertaining stories about their lives and experiences in the transport industry.  Some of the stories they have to tell are mesmerizing, with the subject matter ranging from having childhood leukemia, recovering trucks at fatal crashes involving family members, being headbutted by an angry bull, to almost losing an arm to a white-tail spider bite.

What was your creative process in capturing such great emotion with these guys?

RP: Many of the guys are very proud of their trucks and are excited to have them photographed.  Once I introduced myself to a driver, we would usually chat for a few minutes.  I would give a bit of direction, like asking them to look at me or changing position.  While shooting, I would keep up a light hearted conversation, saying something weird or funny to get a laugh and more natural expression, like “Have you done much modeling before?” It was helpful if the driver had a couple of other truckies nearby to make fun of him, which usually led to easy laughs and a comfortable expression.  It’s kind of weird that just because I had a camera, I could go up to these rough looking blokes, and within a few minutes of meeting them, could start ordering them around.

Did you learn anything interesting about the trucking life?

RP: Despite the long hours on the road, often away from family and the comforts of home for days or weeks at a time, most drivers love the lifestyle.  The freedom of being out on the open road. The idea of working in the same office cubicle, from 9 to 5 for years on end, would send cold shivers down a truck driver’s spine.  Without the highway and stunning scenery constantly changing in front of them, going to work would be a tremendous bore. Most drivers I’ve talked to wouldn’t give it up for quids, and some have described it as getting paid to be a tourist in your own country.

And despite the rough appearance of some of them, with language and stories that would make a pirate blush at times, Aussie truckies are by and large a kindhearted, hard working and generous bunch of people, always willing to help out a mate in need, or just spend hours exchanging stories over some cups of tea and some smokes at the truck stop.

Most people probably don’t appreciate how critical trucks are to supplying their everyday needs. Everything from delivering the cars to building the roads they drive on, right down to the fresh produce and iPods at your local supermarket are brought in by trucks. As the placard on many Aussie rigs truthfully declares; “Without trucks, Australia stops”.

Rohan shoots for Truckin’ Life magazine.  Check out more of his work here.

Aspen Photo Shoot: chasejarvis RAW Behind-the-Scenes Video

Real heli’s and remote octo-copters. Flying cameras and world-class athletes. Lots of hard work and a great campaign for one legendary resort.

Earlier this year in March you may have tuned into my live-updates while shooting the 2012-2013 campaign for Aspen/Snowmass resort. Amidst our 20 hour days we were able to kick out behind the scenes photos, some daily blog posts and a few other things highlighting our work (thanks to Aspen for being incredibly cool, most clients don’t let you do this…) But I also promised a behind-the-scenes vid… So here ’tis. 6 months after the actual shoot, but before anybody else gets to see it – we’re dropping it here today…timed with the launch of the campaign – and sharing several of the final ads before they land in magazines / billboards worldwide.

The focus for this work was to re-create and share the real Aspen experience, so we lived it. Shooting on location in the mountains comes with the usual crazy challenges. Cold weather, crazy wind, even colder hands and feet, scorching sun, altitude issues, running around above 12,000 feet… and in my case, a badly sunburned nose. While some of my BTS videos show that part of it, we wanted the focus of this video to be more on the ways we captured the photos, the people, the athletes, and the action. We skied, hiked, choppered, ate, drank and danced our way through this job – a helluva a lot work, but even more fun. Hope you enjoy.

Some nuts and bolts from the shoot not obvious from the BTS vid, but that you might be interested to know:
// I shot Nikon D3s + Canon 5d (remote from Octocopter) for stills and Nikon D7000 + Canon 7D for the Behind-the-scenes
// We strapped GoPros to my head, my leg, to an octo-copter, to myriad body parts on pro-rippers
// We used 2 real helicopters and 1 remote octo-copter
// Among the many shredders we worked with is legendary Chris Davenport. Literally one of the best pro skiers of all time. Chris has climbed and skied all 50+ 14,000 peaks in Colorado in one year and recently skied off Everest. Follow him here @steepskiing. Total badass. Consummate pro.
// We shot the entire campaign and video in 6 days
// We had a 6-person photo crew (2 producers, myself + 3 film/photo crew) + 25 others (agency, client, talent)
// We hiked + heli’ed to the top of Highland Bowl in pre-dawn hours and watched the sunrise above 12,000 feet.
// No animals were harmed in the production of this video – just a lot of brain cells

ChaseJarvis_aspen_2012 ad campaign

ChaseJarvis_aspen_2012 ad campaign2

And I can’t tell you enough how much I LOVE the music track behind this video. HUGE thanks to one of my favorite bands, The Glitch Mob for working with us to incorporate this song. In between playing amazing live music, getting brought onboard soundtracks for movies like TRON and Spiderman, they managed to squeeze us in. The video wouldn’t be the same without this music. Follow them here @TheGlitchMob and buy their albums here on iTunes.

Drugged Self-Portraits — Through an Illicit Lens Bryan Lewis Saunders finds Fear and Loathing

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Sometimes the suffering we go through for the sake of Art is completely self-induced.

Take Bryan Lewis Saunders, for example. The D.C.-based artist recently released a series of self-portraits each drawn through the lens of a different drug. The series — appropriately titled “Drugs” — includes 48 self portraits composed while Saunders was on everything from Crystalmeth and cocaine to DMT and Bath Salts. The experiment — which had Saunders taking a different drug everyday — left him “lethargic” and with “mild brain damage.” [Browse through a sample of Saunders's work in the gallery above.]

And I thought leaning out of a helicopter was sort of on the edge.

Incredibly, Saunders claims that the experiment is on-going and that he plans to allow more time in between each session.

Sounds like a smart idea.

While this kind of over-the-edge mining for creativity may pay off for the painter, I have serious doubts that it could produce the same results for the photographer. Sadly (or fortunately, depending on how you factor mild brain damage into your risk/reward equation) the camera lens tends to act as a pretty strong filter for mind altering substances.

Or so I’ve been told.

Let it go on record that I am not advocating any of you to go out and repeat this journey for the sake of Photography. [But if you do, please send along the results.]

Selling Your Creative Vision [September 26th]

chasejarvisLIVE_pitchanything
UPDATE:the LIVE broadcast is TODAY. Check out the post below and be sure to tune into http://www.chasejarvis.com/live tomorrow — 11am SEA time (2pm NYC -19:00 London) — and enjoy the show. See you on air in a few…

If you’ve been around my blog or this community for long, you’ll know that my focus is photography and directing, but most of all my guiding mantra is about living a more creative life – whether a photographer, filmmaker, designer, chef, painter, dancer, whatever. While we LOVE to focus on tapping into our “creative side” – take it from me, if you ever want to have a chance at earning a REAL LIVING with your creativity (or, hell, even making even a dime with your work) then being able to PITCH and SELL your work is essential. Don’t make me say that twice. The age-old idea of the starving artist is a sad, boring, and tired one. Better learn to talk about, position, pitch and sell what you make.

As such, you’ll want to tune into my upcoming episode of chasejarvisLIVE where my guest will be Oren Klaff, author of Pitch Anything and purveyor of more than $500 Million (yeah- read that twice) in successful pitches in a variety of industries. He and his book – and a simple framework of how to make YOU and YOUR WORK become “the prize” — has helped me perhaps more than any other book on “selling” AND I think he can help you too. Put these details on your calendar and watch the video below:

WHO: You, Me, Oren Klaff, author of Pitch Anything + a worldwide gathering of creative people
WHAT: Interview, discussion + a worldwide Q&A
WHEN: Wednesday, September 26th, 11:00am Seattle time (2pm NYC time or 19:00 London)
WHERE: Tune into www.chasejarvis.com/live. It’s free — anyone can watch and we’ll be taking YOUR questions via Twitter, hashtag #cjLIVE

[Add to ical here, or google calendar here]

Chase Jarvis Live from Oren Klaff on Vimeo.

Any of this resonate with you?

_ ever had anxiety about how to present your work to a client?
_are you confident with your skill as an artist – but discouraged by your ability to get paying work?
_have you ever seen a major campaign/exhibition and thought, “I can do better photos/film/copy than that?” …and wondered why you’re not getting the job?
_do you know that the demand for creatives going UP and is one of the fastest growing segments?

I already know your answer to those questions above. So don’t miss this mission-critical episode of chasejarvis LIVE on September 26th at 11am Seattle time.

HELP PROMOTE THE SHOW, SCORE STUFF.
1. In order to pimp the show and help bring together another ginormous worldwide online audience, Oren will be giving away 2 signed copies of his book “Pitch Anything.” To enter to score one of these books, send out a creative and interesting tweet that contains the URL (or short URL) to THIS post + @pitchanything + hashtag #cjLIVE starting NOW and ending at the beginning of the show on Wednesday, September 26th. Enter as many times (tweets) as you want — tweet and retweet — we’ll be watching for the most creative shoutouts.

2. And…this is HUGE. If you want to score a private consultation with Oren tune in during the show and we’ll tell you how to enter – gotta watch to nail this one…

LASTLY, JOIN US.
If you want to be part of the live, in-studio audience, send an email to production@chasejarvis.com with “Pitch Anything” in the subject line. Winners will receive a confirmation email with attendance instructions. Bonus points for tweeting about the show and sending folks here.

Special thanks to our cjLIVE show sponsors: HP, Broncolor, Manfrotto and B&H. We genuinely love what they do, make and sell.

Please follow them on Twitter at: @hpprint, @HasselbladBron, @manfrotto_tweet, @BHPhotoVideo

Contest Rules

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