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I Will Give You $50,000 + a VIP Trip to NYC + I’ll Be Your Mentor For Life

I’m not much known for just dipping my toe in the water. And this is no exception.

“It’s gotta be real money and real access” I said.
“How about $50,000 cash, plus a trip to NYC to receive your mentorship and spend some quality time with you.”
“Um. DEAL.”

An that’s how it went down on the phone with my friends at Shopify, the powerful e-commerce website solution that allows you to sell online by providing everything you need to create an online store. In short I will be giving one winner — one of YOU — a check for $50,000 and a promise to be a mentor for life if you start an online business using Shopify and earn more money than anyone else in the Art & Photography category. I’m not getting a cent from this. This is all about firing up our community of creatives and helping make shit happen. So join me by entering.

Even more news? Since this is a diverse readership, let’s say instead of Art & Photography you prefer Music, Electronics & Gadgets, Jewelry & Crafts, Health & Beauty, Food & Beverage, Fashion & Apparel, Sports & Recreation, or…hell…anything else! Then you’re in luck because the competition extends to you too. But if you win one of these other categories you will be assigned another mentor… How bout billionaire Mark Cuban? Or Tim Ferriss? It’s THAT good. In fact here’s the complete list of my peers with whom I’m working on this project for you to choose from:

_Lil Jon (hip hop legend)
_Tim Ferris (4 hour everything)
_Tina Eisenberg (aka swissmiss)
_Selita Ebanks (model & health star)
_Gary Vaynerchuk (wine & food guru)
_Damond John (founder of FUBU – star of shark tank)
_Mark Cuban (billionaire entrepreneur/owner of Dallas Mavericks
_Arianna Huffington (media maven)
_and yours truly

chase jarvis mentor build a business shopify

Never before in history have creativity & business come together in such an obvious, simple and radiant fashion. Like Gary V says in the above video, “This is the most practical time in the history of time to be an entrepreneur. If you even have 1% of a thought about doing it [starting a business], do it.”

YOU’RE SAYING RIGHT ABOUT NOW…

SO HOW DO I WIN? The short version is that you if you start a business with Shopify and have the most sales in your category over a particular window between NOW and MAY 2014, then you win. The longer, more detailed version of all that is here on the Shopfiy site. There is plenty of time to kick ass and sell your heart out, but the time to start is now.

AND WHAT DO I WIN AGAIN?

You win a check for $50,000 USD. Shopify will fly you to NYC to join me & the other mentors and winners (that’ll be a nice gathering), and then I will be your business mentor for life. (Or if you’re in another category, you’ll get mentorship from THAT categories mentor).

Boom.

Again, YOU have the tools and vision to win this sucker, it’s all about focusing on your passion, using your business skills, and making shit happen. I’m doing this purely out of love and a desire to see creative businesses thrive. I’d appreciate your helping me spread the word by linking, pointing, RT’ing FB’ing whatever you can to contribute to this cool contest. I’ll be doing lots of talking about this over the next several months, so get used to it. This might just be your big chance. All the details can be found here.

The Biggest Photo Education Event in History – creativeLIVE Photo Week [Public Service Announcement]

This is it, folks. Er at least I think it is…the biggest single photography education event in history. Last February creativeLIVE drew 150,000 people together from 178 countries around Photoshop…and today’s kickoff aims to be much larger. PhotoWeek is 6 days of FREE, live instruction from over 50 of the photo industry’s leading instructors. creativeLIVE Photo Week has pulled together some of the biggest names in commercial, outdoor and wedding photography and devoted THREE separate channels to broadcast a nutty amount of instruction and inspiration your way.

It all starts TODAY, September 16, 9:00 PT. Mark your calendars. [Click for the full Photo Week schedule breakdown.]

ADDITIONALLY – you may have heard the news. In addition to its “normal” location here, you will also find this week’s superdope forthcoming epsiode of chasejarvisLIVE is being simulcast here on creativeLIVE as well. In this coming episode, we’ll be spreading the effing brilliant words and vision of Austin Kleon. If you know who he is – your mind just blew up. If you don’t, you should get the details on him and this upcoming episode here. Join us. SRSLY.

Here’s some cool promo’s. First one emotive, second one funny as hell IMHO>

Lastly, LOOKING FOR MORE THAN INSTRUCTION / HOW BOUT A LITTLE FEEDBACK? This is for you too. In conjunction with Photo Week, creativeLIVE is running the Photo Week Critique contest. This is your chance to have your work examined by professionals, live and on air. By submitting, you’ll also put yourself in the running for some nice schwag, including a Canon 5D Mark III. Check out the Photo Week Critique page for contest rules and instructions to enter.

**and if you don’t already know that i’m a cofounder of creativeLIVE, that’s strange, but I’ll let you know…in this case consider this your disclosure my dear friends…

Refresh Your Creative Juices — 10 Inspirations to Pull You Out of That Rut

The dreaded rut. That feeling of being exhausted of your precious creative juice. How to break out? For me, a change my scenery — specifically an amazing location for your photo or video shoot– has always been the closest thing to a magic bullet that I’ve ever experienced. Sometimes this means shooting in a different studio, at an abandoned building, a trip to the mountains or, gasp, even that blown-out building on other side of the tracks you’ve heard so much about. Even then however, it’s quite possible that even more drastic measures need to be taken.

I call it “Destination Inspiration.” Sometimes getting out of your everyday physical location is the shot in the arm that you need. This has saved me numerous times. If these following locations below don’t get your creative mind revving, then I can’t help you. Several of these spots I’ve been to before and drool over, others are on my must hit-list. Check them out, pack a bag, and get inspired. And before you wince about the cost of going to these places…skip your 4 dollar coffees at the coffee shop for 3 months and drink drip, cancel your cable TV subscription and look for a deal on airfare. The cost of taking a trip for your next shoot to revive your creative juices is much cheaper than the alternative – NO creative mojo. So here we go….

1) New Zealand. In all my world travel, few places compare in beauty to wait awaits the New Zealand visitor. Those of you who pay attention to what it is that we do know that I have a THING for NZ. In fact, I have stated it is my favorite place to shoot (although my recent trip to Iceland, see below, has me questioning that). From waterfalls and snow fields, to jungle and wild river beds – N-Zed is hard to beat. The people are some of the most adventurous and welcoming on the planet and shoots are consequently easy to produce. Its a haul – but worth the day in a plane.

2) Iceland. I recently returned from a shoot in Iceland and I can now say with authority that the country is straight up magical. I called it the “land of endless light” for the 18 hours of it we got every day. I’m talking the kind of light we photographers dream about at night. We spent the majority of our time tooling around the southern shore + hitting some super photogenic locations (thanks to hosts/guides Marteinn Ibsen and Arnaldur Halldórsson and local production company Profilm.). You’ll likely fly into Reykjavik, and if you rent a car hitting up Route 1 is a good bet to access some of the wilder beauty found here — it’s also called the Ringroad as it encircles the island. Wherever you go, be on the lookout for elves. The majority of natives believe they are real. I’d say snapping a shot would earn you some notoriety.

3) Antelope Canyon. Rather find somewhere in the States? Fly into Las Vegas or Phoenix (both are about the same driving distance) and head out to Antelope Canyon, which is on Navajo lands near Paige, Arizona. The canyon is actually two slot canyons (separated into “the crack” and “the corkscrew”, or “upper” and “lower” canyons), and both are amazing to walk through. If you’re looking for photos, get ready for a challenge. In addition to waiting your turn (Antelope Canyon is one of the most extensively photographed canyons in the US), taking the actual pics is tough, since the wide exposure range creates some problems as light is reflected off the canyon walls. Roll into town in May or April, when the temp is still bearable, and you still get a lot of daylight.

4) Hang Son Doong in Vietnam. Hang Son Doong sits near the Laos/Vietnam border. Its collection of about 150 caves boasts the biggest in the world, twice as big as Deer Cave in Malaysia. Check out the pic below by Dan Cunningham, and click the link to see more of his stuff. If the cave itself isn’t enough for you, there’s also a mini-jungle and a fast flowing river running through it. Plenty of natural wonder to spark some creativity. More than enough to fill some memory cards. Tours have just recently opened up, so check out some info here. And good news, if you want to stay awhile, Vietnam is crazy cheap-a 4 bedroom rental house can go for as low as $400 a month, and usually the most expensive beers available are a buck, with home-brews as low as ten cents a glass.If you aren’t careful, you’ll come for the cave, and stay for…ever.

Photo courtesy of Dan Cunningham


5) Belize. If you’re looking for somewhere a bit more tropical, check out Belize. I was there recently, and it was beyond incredible. For my friends in the states, Belize is a lot closer than you think. About 5 hours or less from everywhere in the US (besides HI+AK), so it’s a relatively short jump to crystal blue waters and white-sand beaches. Plane tickets aren’t too hard on the wallet, and the lodgings are pretty reasonable as well. Check out last month’s post here for a comprehensive guide on the what, where, when, and how.
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6) Red Beach in Panjin, China. Feel like heading East? Take a train from Beijing (about 3 ½ hours for the fast trains, around 5-6 for the slower trains) to Red Beach. Weeds that are green during the summer turn a flaming red in autumn, giving you a view that you can’t find anywhere else. Go in September when the weather is chill and the Red Beach is the brightest. When you’re done checking out the beach, get your national geographic on and grab some shots of the 236 varieties of birds found there. Check out my play-by-play trip on the South China Sea from Shanghai to Hong Kong here.

Photo courtesy of Wikicommons

7) Hitachi Seaside Park, Ibaraki, Japan. If you’re looking for some color, there are few places better than Hitachi Seaside Park. This place is covered in seasonal flower gardens, and if you time your trip right, it’s like the flower version of the 4th of July. You’ve got narcissus and tulips in spring , nemophila and roses in early summer, zinnias in summer and kochias and cosmos in autumn. If you’re not up on your flower names, just trust me that this all boils down to some of the most vibrant, spectacular colors you’ve ever seen, no matter when you visit. If you get tired of the flowers, Seaside Park’s got a BMX course, a cycling road, an amusement park and areas set aside to grill.

Photo courtesy of Katorisi

Arashiyama bamboo forest outside Kyoto, Japan. While you’re already in the area (well, the country at least) don’t skip this opportunity. Take the JR Sagano Line from Kyoto station (15 minutes, 230 yen), then take a 5-10 minute walk to central Arashiyama, then cruise through the towering forest. Get peaceful, get clear-headed, get centered. A walk through here is gonna chill you out, guaranteed. Rent a bike to get the full experience, and check out the cherry blossoms and small temples along the way from the station.

Photo courtesy of Casey Yee

9) Mount Roraima, Venezuela (but also Brazil + Guyana). Ready for some exercise? Make sure you’re serious. Next up is Mount Roraima, the highest of the Pakaraima chain of tepui plateau in South America. This is a backpackers dream. Most people make their attempt from the Venezuelan side, and hire local Pemon Indian guides from the nearby village of Paraitepui, which is reached by dirt road from the main Gran Sabana road between kilometer 88 and Santa Elena de Uairen. The path to reach the plateau is widely traveled and well marked, but once you get to the top of the mountain, it’s easy to get lost, due to a ton of trails and pretty consistent cloud cover. Paraitepui can be reached easily if you have a ride with four-wheel-drive, or you can hoof it in about a day. Do not try this with your Honda Civic. Once you hit Paraitepui, most hikers take two days to reach the base of the mountain, and then another day to follow “La Rampa,” the natural staircase path to the top. Spend a night or two at the top and check out a view of the stars like you’ve never seen, but make sure to plan for an another 2 days to get back.

Photo courtesy Paulo Fassina


10) Mendenhall Galcier, Alaska. I’ve saved one of the best (and most dangerous) for last. Fly into Juneau, Alaska and take a hike on the Mendenhall Glacier. Get up early to beat the crowd (try arriving at about 9am latest if you want some solitude), and hike up the western side (about three hours) to get to a point that overlooks the entire glacier. This hike is no joke, and you need to game-plan it hard. Even experienced backpackers are respectful of this glacier, especially if you are trying to see the ice caves beneath. These are unbelievably beautiful, but dangerous as hell since the ice is always shifting. Get yourself a guide, wear some layers, and get ready for a hardcore day of hiking and amazing views. Get a hold of “Above and Beyond Tours” for more info.

Photo courtesy of wikicommons ringbang

19 Behind-The-Scenes Photos from a Land of Endless Light – Iceland

chasejarvis_cover What I remember from elementary school about Iceland is my teacher telling me, “Iceland is green and Greenland is ice.” While I have not yet been to Greenland I can attest to the fact that Iceland in August is definitely green.

Iceland – the well-known film and photo destination at the confluence of the North Atlantic and Arctic Oceans – has been on my list of locations to visit for seemingly forever. Finally had the chance to check out last week on a sizeable commercial production. On one hand, I was surprised to learn how many Hollywood features have recently been shot in the harsh landscape (Ridley Scott’s Prometheus and Oblivion starring Tom Cruise are two of the big budget examples…). On the other hand, it makes complete sense – the landscape is bonkers-cool, the quantity of light (18 hours or so of it each day this time of year) and quality of that light truly makes Iceland a dream destination location for photo and film work.

Some fun facts about Iceland:

// as a country of just over 300,000 people they have the highest per capita number of golf courses, hot tubs and trampolines.

// most of the Iceland population believes in elves – or will certainly not deny their existence (we tested this and found it to be the truth)

// 30 post-glacial volcanoes have erupted in the past two centuries, and natural hot water supplies much of the population with cheap, pollution-free heating

// the Icelandic horse has a “5th speed” or gait that other breeds do not possess

// the size of Iceland is roughly the same size as Pennsylvania in the US.

// the people are lovely and warm, but good luck learning the language – the mutha is tough!!

As always, local knowledge was key and we had some incredible local producers through ProFilm. Marteinn Ibsen and Arnaldur Halldórsson drove us all over their country in the short 5 days we had in-country – and knew exactly where to take us and when. Having local knowledge is always key.

We scored some especially high quality offerings from the air (we chartered helicopters again this trip and flew some cameras on affordable drone quadcopters too ) and along the south coast… So many rolling green hills abutting glaciers with rainbows, I expected to see a Unicorn at any second.

Of course knowing what to do with it comes down to your ability as a photographer/filmer. (TIP: check out Corey Rich’s outdoor photography workshop over at creativeLIVE for more on the skills: here.)

Below are some BTS moments with my crew snapped on iphones and point & shoots. We’re all passionate about the work – and despite some brutally long 16 hour days we won’t soon forget the trip.

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chase jarvis surfing photo

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Behind-the-scenes photo by Yours Truly, my man Erik Hecht and homeskillet Christopher Jerard

Motion Sickness – How Not to F- Up Your Next Photo/Video Shoot

I’m big-time stoked to bring to my blog a heavy hitter in the world of adventure storytelling. Corey Rich has done commercial work for everyone from Apple and Adidas to SI and Outside. He has an eagle eye for the shot, both for still and motion, and I’ve invited him here to give you all a little what-for on the topic of transition from still photography to motion film [hint: it ain't about hitting 'record' and letting the talent do all the work].

Why Corey? Not only is he a bad-ass at what he does, he’s also going to be instructing a three-day course at creativeLIVE next week [deets below]. Check it out LIVE RIGHT NOW HERE.

Class is in session. Take it away, Corey.

Thanks, Chase.

So, you’re a still photographer shooting DSLR video for the first time? No offense, but you’re about to F— It Up.

The future of storytelling, for enthusiasts and professionals alike, is all about combining your still-image and video-capturing skills into a single dynamic narrative. Clients today don’t just want amazing pictures; they want amazing pictures AND amazing videos.

“No problem!” you think. “I’m a stoked-out photographer. I could nail the focus on a moving target at 200mm f/2.8, no tripod, blindfolded! I do exposure calculations in my sleep! What’s so hard about putting my camera on a tripod, sitting back and hitting the record button?”

Well, I’m here to tell you that you’re going to blow it. You will F— It Up (FIU)!

Sorry, but it’s true.

I was one of the most seasoned adventure and outdoor-lifestyle photographers in the business. And when the groundbreaking Nikon D90 (the first video-enabled DSLR camera) came to market, it changed my life. I immediately went out and purchased one, full of doe-eyed hope that becoming a filmmaker and director would be an easy transition.

Boy, was I wrong. Sure enough, capturing stunning motion footage, with great audio, all while making dynamic photographs, was as difficult as trying to hit a Mariano Rivera curve ball with a five iron.

Through a lot trial and error, not to mention working alongside some truly great filmmakers, I’ve learned a few things. Today I have more than a few successful still-and-motion productions under my belt, and I feel comfortable juggling the roles of photographer, filmmaker, and audio tech all at once—truly a three-ring circus act.

Check it out LIVE RIGHT NOW HERE.

Now I’m here today to tell you, photographer gearing up for your first still- and motion production, why you’re going to FIU. And hopefully after reading this … you won’t.

Corey, on location.

1) You’re going to run out of time.
You have a good sense for how long something should take. A trail-running shoot through morning mist? Two, three hours, tops, right? But when you add in the complexity of creating still images, capturing video and recording sound, inevitably your estimation of time will be way off. What you think will only take one hour will actually take three. By the time you’ve gotten your microphone levels adjusted, it’ll be noon and the opportunity will have evaporated along with the morning mist. [Corey is LIVE right now HERE]

Solution: Multiply time estimates by three: If you think something will take one hour, plan on it taking three.

2) Audio? More like Audi-NO!
Hands down, audio is the single easiest thing to botch. There are a million ways that you will FIU. I know, because I’ve done them all.

/ You will forget to press the record button on the audio recorder.
/ The distant, seemingly imperceptible noise in the background—the dog barking across the street, the refrigerator’s insipid hum, the airplane passing by overhead—will reveal itself to be a port-production nightmare.
/ The levels will be completely off and will require a lot of post-production work to boost it up.
/ You will mistake watching the levels with actually listening to the audio through a set of high-quality headphones, the difference being that levels only tell you how strong a signal is, not its quality.

Though not rocket science, audio is the easiest thing to screw up.

Solution: Budget yourself enough time and pay attention to audio throughout. Otherwise, I recommend hiring an audio expert to help you out. It’ll be one less thing to worry about, allowing you to put your creative energy where you’re most comfortable: looking through the lens.

3) You’ll give assistants jobs way above their skill level.
This is probably more of a universal problem than it is necessarily specific to just shooting motion. But as photographers and directors focused on operating our cameras, we will throw our poor, hapless assistants to the wolves by putting them in charge of, say, the audio (see above). You’ll toss your assistant a set of headphones and say, “Check the audio. It’s easy.” But they don’t know what they’re listening for. And inevitably they don’t hear the incessant crinkling of the subject’s shirt through the laval mic.

Solution: Assistants … love ‘em, hate ‘em, whatever. Either way, you still have to live with them. And if they screw up something tricky like the audio (which you’d also screw up anyway), remember that they are still making your life much easier in the long run.

4) You’re not Oprah.
When you’re conducting that all-important interview with your subject, what he or she says can make or break your film. However, it’s quite challenging to be a focused, attentive camera operator AND an engaging interviewer who can draw out those important, meaningful, storytelling lines from the interview subject. Most of the time, you’ll be so focused on composition, not botching the focus, and fretting about the audio to even hear the words coming out of your subject’s mouth. Formulating that next smart interview question will be challenging, if not impossible.

Solution: Have a list of questions you want to ask your interview subject in advance. Depending on the nature of the interview, you may want to spend a few moments with your subject going over the questions and conducting a mock interview before filming the real one. Otherwise, consider bringing in a journalist/writer to conduct the interview, leaving you free to focus on operating the camera.

5) You won’t have enough extension cords.
You’re doing great so far! You’ve found a sweet location outside for your interview. The backdrop is gorgeous, and you’ve thought ahead about where the sun will be when. Further, you’ve set up two continuous light sources to ensure your subject will be well lit. You’re so smart! One problem: the closest outlet is 100 feet away, and you only have a single 20-foot extension cord.

Solution: Bring more extension cords. However, because extension cords are so heavy and bulky, I never travel with them. When I arrive on location for a shoot, I always hit up the nearest Home Depot and buy 300 feet of industrial, orange power cords. If we can return them after the shoot is over, great. If not, we make our assistant happy by giving him 300 feet of cords, which, in all likelihood, the little bastard will try to rent to us next time we come to town.

6) When it comes to High Def, beauty is NOT in the eye of the beholder.
Many guys like chicks who don’t wear make-up and are just “naturally beautiful.” Turns out, that doesn’t work in the world of video. When you’re shooting a close-up of someone’s face with a full High-Def-enabled DSLR camera, most people’s faces reveal themselves to be ruddier and rockier than the surface of Mars. On a wide high-def screen, every imperfection of skin is exacerbated tenfold. Nobody in the audience will be able to concentrate on the lines being spoken if they’re too busy cringing at every inconvenient pimple, blemish and blood vessel popping through your subject’s translucent, pale middle-aged skin.

Solution: Don’t underestimate the importance of having a makeup artist. A basic powder and touch-up kit is mandatory equipment. Learn how to apply make-up, and do your subject a favor. They may not like it at the time, but they’ll thank you later.

7) You’ll cut the clip too short.
As still photographers, capturing decisive, singular moments is ingrained in our blood. We’ll press the shutter once, and in a fraction of a second we will have made an all-but final product. Video is very different. The tendency for still photographers is to shoot for a few seconds, recompose, shoot a few more seconds of video, and so on. But, once you get back to your computer, you’ll quickly realize that short clips don’t work and severely compromise what you can do as an editor.

Solution: A good rule of thumb is to never record for less than 10 seconds. Keep that red light flashing, and make sure the camera is rolling well before and well after the action/moment is over.

8) You’ll forget you’re rolling video and recompose the camera.
Again, another tendency we still photographers have is to be constantly recomposing our shots, always thinking of dynamic new ways to capture the same scene. Video is not one decisive moment. It’s a continuous series of seconds, unfolding naturally on the screen. Footage needs continuity to be beautiful and not jarring to the viewer. You can’t move the camera once you start filming to re-adjust the composition! Sometimes you’ll start rolling, you’ll realize the composition isn’t perfect, and you’ll just have to settle for a less-than perfect composition, because that’s better than recomposing and ruining your whole clip.

Solution: Think about your composition before you hit record. Consider if your subject will be moving within the frame; shoot a bit wider so the subject doesn’t actually fall out of frame. Above all, don’t recompose your camera while filming unless you make a conscious, meaningful decision to do so.

9) You’ll shoot vertical video.
Does this even need to be addressed? Have you ever seen a vertical television?

Solution: Mount your camera horizontally, and keep it there.

10) You’ll F— up the white balance.
As still photographers, we don’t usually pay much attention to the white balance. We shoot in RAW and, thanks to Adobe and our camera manufacturers’ software, we can easily fix the white balance before processing our images.

This is the not true with video. You have to nail the white balance in camera. Also, if you’re shooting with two cameras to get two different angles of the same situation, always do a white-balance check before recording. Each camera must be set to the exact same Kelvin setting.

Solution: Again, double check that the white balance is the same for all cameras. While you’re at it, make sure both cameras are set to the same frame rate: e.g., 24 fps and full HD.

11) Your sensor will be dirty.
I know some photographers cook and eat off their camera’s sensor, leaving pizza-grade smudge marks all over their images, which they then merrily clone-stamp into oblivion in Lightroom. However, there ain’t no clone stamp with video.

Solution: Keep your sensor clean and stop eating off the damn thing!

—-
Tune in August 26-28 to my creativeLIVE course, “Still and Motion: Storytelling on Location.” This three-day workshop contains 12 courses that I promise will save you 12 months of FIU!

Flying Cameras On a Budget — My First Flight With Affordable Drone Helicopter + GoPro

Because there are few establishing shots that can compete with the one you get above 250 feet, I frequently take my shoots airborne. Whether it’s yanking the doors off a Bell Ranger traditional style or the…ahem…new school way of sending an 8-bladed octo-copter to do the dirty work, if it’s outdoors these days, aerial footage is, well, the new black.

Neither option mentioned above is cheap, however. I’ve been paying thru the mega-schnoz to rent A-Stars ($2000 + per hour) and such for years. And then was superduper excited in 2010 to go remote aerial at about half the cost of a real heli for this project launching the Nikon D7000 (here’s some more BTS with the same flight crew from a commercial i shot in Telluride…). But it’s still pricey. $2k – $5,000 per DAY or more. And although going the R/C route is the lesser of two budget busters, it’s still a rough lump to swallow, particularly if you’re just getting in the game.

ENTER the DJI Phantom, (picked mine up at Dronefly.com) the out-of-the-box R/C quadcopter.

Now before y’all jump into a tizzy that this thing isn’t close to the same quality – doesn’t do X and Y…I know those things. It’s ok that it can’t fly an Arri Alexa or do this or that other thing. BUT damn this is a great entry product that A) allows budget conscious folks the ability to fly a camera; B) makes some pretty solid footy for web videos and such; and C) is a helluva lot of fun to fly. All at fraction of the cost of any previously mentioned option.

Designed to fly the GoPro (you know I love ‘em in this video), this little rig comes in at under $700. Nothing to sneeze at, but chump change compared to what was available just 5 years ago. My crew has two of these little buggers now — and within 5 minutes I had achieved a comfort level great enough to try the stunt at 0:45, terrorize the other people at the GasWorks park in Seattle, and even chase a seaplane.

Although it’s not suitable for high end work (yet?), this is a nice budget breakthru. And truth be told it’s a fricking blast — I’ll be doing more soon. Perhaps…ahem… even on my next photo shoot in Iceland…

Commitment to Creativity — Dreamland with Bob Burnquist is Some Next Level Shit

I had a chance to photograph Bob in Brazil couple years ago for Oakley and we couldn’t pull it together

Let’s just say this video galvanizes my regret.

This is some next level shit, Bob.. The intro is humble. The middle is stunning. And gotta say from experience that the helicopter stuff after the 6 min mark is supremely impressive.

This is what it means to be committed.

You?

The Big Dogs Are Wobbling Like Drunkards [Time for Us Small Dogs to Sharpen Our Knives]

If you’re looking for your next creative breakthrough or if you’re in a job you hate and looking to make a change, this video from Dan Wieden of legendary Wieden + Kennedy agency in Portland is a worthy 15 min of your time. The intro is slow (a Portland love fest…) so skip in a few min if you’re watching the clock.

Here’s what’s in this video that I like:

- dan is a really likeable guy
- dan’s speech echoes my belief that creativity is the new literacy
- dan eloquently voices the idea that constraints & failures lead to creativity
- small is beautiful
- mistakes are the building blocks of knowledge

Take a look at some of the agency’s work over the years.

NEW Update from GoPro. Shoot, edit, and go social with photos + videos

Apparently as a followup to my well-timed and very handy video I put out this week (check it), my favorite camera manufacturer today announced the launch of a new app. It’s getting really slick my friendz. While you could control the Hero3 cameras with earlier version of the app (view – start -stop – etc) the newest version of the app allows you the same ability to control the camera, but you can now remotely view the images and videos on the camera and–here’s the kicker — edit + share them from the app for iphone, android, and windows phones.

ChaseJarvis_GoPro
From today’s TechCrunch article: “The app is simple enough. It connects to GoPro cams through a WiFi signal, giving owners a large set of available tools. The cameras can be viewed and controlled from a smartphone or tablet, for one –this includes adjusting the dozens of available settings on each little guy. Owners can also view, manage and download content from the camera to their phone. From there, it can be shared like any other media. Upload the action to Geocities or FriendFeed like you would any other picture.”

This update illustrates why I opened this post with “my favorite camera manufacturer”. It’s not because they are overwhelmingly the best. Sure I love them. Not sure I could make my living with just a GoPro, but truth be told it’s really what they stand for and where they’re going that make me love them the most. Like I told the New York Times a while back — it’s 5 years past due when Nikon and Canon should have had this sort of reliable technology built in small packages to allow creative photographers to shoot, edit, and share their work in new and novel ways.

Dear Canon and Nikon,
I know I’ve been telling you this stuff for 5+ years. I’m sure other pros and consultants and bean-counters have too. So why is this so hard?

ASIDE: given that you are reading this post, you’ll probably want to know how I pack my GoPro’s to travel everywhere I go. Here’s a quick post and a short vid.

AND here’s their cutsy little promo vid illustrating the emotional bits…

[NEW] Free Music Downloads from chasejarvisLIVE bands

chasejarvis_mygoodnessI’ve heard through your shout-outs + tweets + views + comments n such that most of you love what we’re doing with music on #cjLIVE. Those of you who pay attention to the show might have noticed that we have been on a bit of a hot streak with new music over the past couple of years. Here’s a few of my fav highlights from the very earliest moments of these now well-known musicians:

_Macklemore & Ryan Lewis brought down the #cjLIVE house before you knew their name with tracks from their 10 million singles sold + independent platinum album The Heist such as “Can’t Hold Us”

_The Lumineers delivered a gorgeous version of their platinum hit “Ho Hey” 6 months before it was a hit.

_We Are Augustines rocked the studio with a series of live sets from “Rise Ye Sunken Ships.” and kicked off a worldwide tour with sold out dates across the US and Europe.

_Reignwolf melted our faces with a crushing performance “Bicycle” as part of our special Capitol Hill Block Party episode. Now he’s on fire too…

For years I’ve heard – ‘hey chase = why don’t you start a music label’… And truth be told, I thought about it for about a quarter of a hot second and then remembered that the music business is a gnarly business and…oh yeah…I’m a photographer. Duh. BUT… that doesn’t keep us from continuing to collaborate with emerging bands to highlight and distribute their music. So, while we’ve been all YouTube and uStream distribution to date, we are happy and proud to announce we will now be offering free downloads of some of this amazing music. First up in this endeavor is –MY GOODNESS– where we are offering downloads of their tracks filmed on our show, direct to you….Their performance on cjLIVE is here in video form, but now you can also download all these My Goodness audio tracks on SoundCloud FOR FREE. Please enjoy – go grab a track and share w your friends – it’s an amazing summer rock album.

Our plans include doing more of this in the future. Hope you dig it and thanks for being a part of our own little tiny #NoLabel movement.

my goodness chase jarvis

addendum for the music lovers….

Collaborating with these musicians and others has always been one of my favorite parts of the gig – exploring new music and sharing it with my friends. Little known fact: Macklemore first performed “Wings,” formerly known as “Air Jordans”, in my studio as a part of my Songs For Eating and Drinking underground series… The project is on hold right now, but the music and vids are still out there online. Check it.

The Artist as Athlete as Artist –> Travis Rice on Creativity + Art Galleries + Taking Risks

chase jarvis travis rice

Yours truly and Travis Rice getting motley at the...um...airport

The name Travis Rice has for some time been synonymous with the best snowboarder in the world. Literally, of that caliber. Which for those more inclined to the details, that means insane big mountain snowboarding and epic snowboarding films and photoshoots all over the world (watch him on #cjLIVE here). While “artist” may not be a descriptor that comes to mind when one thinks of Travis, I beg to differ. Individual sports like snow / skate / surf are are incredibly creative BUT ALSO…in case there was any doubt… Travis’ latest endeavor takes the artist part of this whole message to another level. You see, Trav recently kicked off an art gallery representing / showing artists, photographers, painters, etc, who focus on these sports…called Asymbol. There’s a physical gallery (in Jackson Hole, WY) + an amazing (affordable) online gallery here (but more on that later). Since I’m someone who came up photographically through the action sports genre myself, it’s clear to me that what Travis is doing is connecting the dots – tearing down walls, really – between athlete and artist. This approach is near and dear to me, not just because of my respect for his vision, but because in my early career I really thought I had to EITHER be and athlete or an artist – and it wasn’t until discovering the punk rock ethic of the early action sports scene that I realized I could be keep my jock-y roots and go deep into art – that I didn’t need to fit into stereotypes, I could be my own. Travis is amplifying that ethos with Asymbol. Now, given my schedule and T’s schedule, connecting in person to chat about this new project was no easy feat, but we managed to wrangle some time over a beer and a shot of whiskey at…an airport bar recently (really – so you’d better read this whole damn interview) to ask him a few questions that will interest you, my dear reader.

1) Alrighty man, tell us about your new(ish) endeavor Asymbol. What is the name all about too?

Asymbol is a gallery + art brand I started with Mike Parillo a few years ago. It’s about honoring and connecting with the art of board riding culture – from snowboarding to surfing to skateboarding. There are incredible working artists who’ve emerged from this creative culture and are in the process of transcending it. We felt there wasn’t a gallery that was really focused on it, so we made one.

The name Asymbol has sort of a double meaning. On the one hand, it refers to the symbolic nature of art and what it stands for in terms of pushing cultural boundaries and challenging our beliefs. On the other hand, it also refers to the act of assembly, in the sense of building community, making products and bringing people and ideas together for a common purpose.

Asymbol Owl, by Hydro74 aka Joshua M. Smith

2) How is this different than creative pursuits of the past for you? You’ve made movies, done contests, been a part of companies…how is Asymbol different?

Asymbol is different in that it’s really about creating a community of people around the art and the artists we’re working with. Making a film (like the Art of Flight) or putting on contest like Ultra Natural are super intense projects, but at the end of the day, they’re still projects. Asymbol doesn’t really have a definitive end – it just keeps evolving as the art and the community evolve.

It’s also different in that we’re focused more on artistic curation than raw artistic creation – that’s the job of the artists we work with. As I see it, our job is to find ways to build support for our artists and their art so that they can keep on doing what they love.

3) What do you hope to bring to the world with this new company?

I’d be happy if people spent some time on the Asymbol website exploring who these artists are and what messages and meaning they’re trying to convey through their art. What I love is that each piece tells a unique story — about the artist and what they were thinking and doing at the time they created the work. It might be a painting by Scott Lenhardt or a photo by Danny Zapalac that look nothing like each other, but the common elements are the stories that relate back to the culture of board riding.

One of the things we’re trying to do is make art more accessible. So much of our audience is younger and doesn’t necessarily think of themselves as fine art buyers, so we’re focused on innovating unique applications of our art on things like screenprinted canvas, t-shirts, laptop skins, water bottles and cases for mobile devices. These things still allow people to connect with the art very directly, but also serve a practical purpose. Plus, they just look rad. [my note --> feel free to buy some fresh stuff here.]

Craig Kelly Mural, by Scott Lenhardt

4) How do you run a business like Asymbol AND be a pro snowboarder? When do you sleep?

Sleep? What’s sleep? In truth, Asymbol is run by a small and dedicated team back home in Jackson Hole, Wyoming. I stay connected to them when I’m traveling, but my schedule gets pretty insane. It’s hard to have a conference call from the back seat of an A Star helicopter, but we’ve done it.

5) Who’s this rockstar Alex Hillinger?

Alex came into Asymbol last fall as my partner in the business. Mike and I met Alex through the art and tech conference he puts on every year called the GOAT, so his connection to Asymbol was a natural one. We really wanted to take Asymbol to the next level and we needed someone who understood what we were all about. Alex is crazy about snowboarding and art and his background in online business is really important if we’re going to grow Asymbol to where we all believe it can go. [another note from me --> for those who don't know, Alex has been a personal + professional advisor to me for years...helping make cjINC, #cjLIVE and even creativeLIVE work...hats off to him.)

6) What makes "Art" in your opinion?

That's a good question and I'm sure everyone has a different opinion about what makes art. For me, it's about being willing to put yourself out there and take risks. It's easy to sit back and say 'it's all been done before.' Artists don't let that stop them, they create ways to express their points of view that require them to get outside their comfort zones. Making art is risky and forces us to confront our fears of failure and of being misunderstood. I have a lot of respect for artists who don't play it safe. It may not always work, but it's really the only way to get to a place where it does.

7) What parallels do you see in art and sport? People always assume that one has to be jock or artist - is that true?

It seems to me that a lot of athletes gravitate to art as a means of self expression. Being an athlete involves taking risks -- especially if you're dropping into a spine for the first time, or riding a giant wave somewhere in the Indian Ocean. There's no reason there has to be a barrier between being a jock or an artist, and maybe that's one of the things we're saying with Asymbol. So many of our artists are also incredible athletes like Jamie Lynn or Adam Haynes. Parillo took gold this year at my luge course event, which was huge! The competition was fierce.

Red, by Chris Burkhart

8) Who are your influences as an athlete? Who are your influences as an artist?

There are so many — guys like Guch and Johan Olofsson and Craig Kelly who really pioneered big mountain freeriding. Terje and Jamie Lynn are still charging it today with style.

For artists, I’m way into the work of Andrew Schoultz, Carl E. Smith, Todd Glaser and of course, Mike Parillo who I’ve been collaborating with on graphics for years.

9) How is it running an art gallery in Jackson Hole, WY? Would it be better if you were in NYC or SF or something? Why or why not?

Jackson’s a big art town, it’s just mostly Western art of things like bronzed eagle sculptures and cowboys on horseback. I think it makes a lot of sense for Asymbol to be based in Jackson though. This place attracts people seeking to push the boundaries of athleticism and adventure that’s hard to do in a city. There’s an aspect of Asymbol that’s about freedom and openness that being in Jackson embodies in a lot of ways. It’s also nice for me in that Jackson is my home, so when I’m back from traveling, I can really focus on it without the distractions of a place like NYC or SF.

Thanks Travis. You are radical. Follow Travis across these channels:

Asymbol Website
Facebook
Twitter

15 Tips for Creatives to Get the Most Legal Bang for Your Legal Buck

Contracts can be a nightmare. I’ve never loved contracts even for a hot second, but fortunately I’ve surrounded myself with an awesome Executive Producer who really likes them — Kate (she’s also my wife), and a great lawyer or two. We know what a pain point this can be for creatives everywhere, so we sat down and pulled together a series of 15 tips aimed to help you navigate these messy waters. We know legal advice can be ridiculously expensive and is often hard to afford/want to pay for, however, in order to run a successful biz, the need for some legal work is inevitable… The trick is to find a balance between spending and managing risk.

To help strike that balance, here the list we use to keep our bills as low as possible and still meet that baseline of comfort.

1. Find a lawyer before you need a lawyer. While the task may sound daunting, it is way, way, way better to make the time early so you don’t feel rushed in an already stressful situation. Start by asking for recommendations from friends, industry acquaintances and local professional organizations and develop a short list of options. Then meet with a few attorneys to find the best fit. Take advantage of this initial meeting time to share your philosophy and get on the same page. This will save you time and money later. If at all possible, try working on a few projects together to see how it goes.

2. Find a lawyer that is a good match for your personality and your needs. When we were on the hunt for legal counsel, here was our list of wants:

_understands copyright, intellectual property and contract law,
_great at explaining law in layman’s terms,
_understands our business, budget and goals,
_has the necessary technology to work together (document compatibility),
_has time for us, and
_is pleasant to work with.

3. Understand how lawyers bill. Most lawyers bill in 15 minute increments, so keep your eye on the clock! This includes any and all time working for you, so that means reading email, phone calls or working on your project. Being prepared and organized will save you money. You will also be charged for miscellaneous items like making copies, sending faxes, editing documents, etc, so you may want to take over some of those tasks if it makes sense.

Some firms want you to pay an advance fee or retainer, where you pay a certain amount in advance and then are billed against that amount as work is completed. These types of agreements are common and pretty fair, but if you can avoid paying in advance, that is always preferred. If not, negotiate any prepayment as low as possible and never sign up for more time than you think you will use from the firm in a reasonable amount of time – these fees are nonrefundable.

4. Manage costs. Since writing legal documents is an art, there is no one definitive way to express an idea. That said, you can get in editing loops that could go on and on. To avoid this, it is really important to communicate clearly about your needs for every project.

Some other tips:

_provide a per project budget,
_ask for notification if your monthly bill exceeds a certain amount and
_provide some direction on the type of feedback you want

For example, some standard agreements are just that… standard, so I instruct our legal to look for red flags only (after I have read it). In other instances, we may be entering into a very unique type of deal, so we may need more customization. Even in the latter case, you should keep track of time to keep a pulse on the budget.

5. Take advantage of the resources offered by professional organizations. I especially love the American Society of Media Photographers. Among other great member benefits, they offer a wealth of helpful legal information including:
tutorials on bad contracts, copyright, releases, licensing, and more and sample forms like releases, contracts, etc. granted, you will want to customize/localize with your lawyer if at all possible, but it’s a great starting place that will save you time, money and headaches.

6. Create templates when possible. You will find that you use the same documents over and over and you should have solid versions/template of each that can be customized as needed. Start with standardized documents from your professional organization or law firm and work with your lawyer to make them appropriate to your business. Here’s a list of standard documents that would be helpful to have at your fingertips and customize:

_photographer agreement
_estimate, delivery memo, change order and invoice
_model release
_property release
_contractor agreement (for individuals you are hiring)
_non-disclosure agreement

7. Create systems. Whenever you find yourself encountering they same types of legal requests, see if there is a way to standardize or at least create a system for vetting the document so you don’t start from scratch each time. For example, we are often asked to signed Non-Disclosure Agreements before hearing about projects. Every client has their standard document, so I worked with our counsel to create a way for me to vet each before going to our legal. See our earlier post about NDAs HERE.

8. Use a term sheet. A term sheet is a short, bullet-point document, usually one-page, that summarizes the project and specifies the essential terms of your forthcoming agreement. This is a great way to go because it gets all parties on the same page in plain English… and FAST. This ‘cheat sheet’ is a guide to help the legal team translate the project into a formal legal format. Term sheets can be binding or non-binding… that means, enforceable by law or just clarifying. Either can work, it just depends on your needs.

9. Embrace the process. The longer I’m at it, the more I see the process around most legal issues as an opportunity to build a strong relationships with those we want to do biz with. The process gives both sides a chance –through good communication– to really understand the terms and expectations and avoid surprises later. If done well, everyone walks away feeling like they they are winning. And that’s a great way to start a relationship.

10. Understand your lawyers limitations. A lawyer only is as good as the information you provide them with and you know your business way better than your lawyer does. So, you have to work together to end up with a great contract. Think about the deal and make sure you have addressed everything you think is important. I always explain the project and ask myself: what is missing? I always ask my lawyer: what should I be asking?

11. Unravel the mystery of ‘boilerplate.’ Boilerplate is the standard parts of a contract that you almost always need, like confidentiality, severability, assignment, relationship of the parties, governing law and so on. It’s a great idea to work with your lawyer to understand these kinds of standard sections…AND you still need to read them every time! Seemingly small changes can have big impacts.

12. Take advantage of redlining. In word processing, you can track any changes made by either party as you are editing, suggesting changes and making comments. This redline shows up in a different color the document with a note of who made the change so that others can see the changes that have been made. It makes going back and forth on documents so much easier!

13. Ask questions/do the research. Use your lawyer, resources online and the process to educate yourself. As you start to understand more, you will be able to ask better questions and avoid pitfalls before you get too far down the line in the legal process. For example, you don’t want to wait until the contract phase of the process to find out that the client wants to hire you to do work for hire (they own the copyright) if you prefer to license your work (you own the copyright).

14. Evaluate risk. All deals have some amount of risk and and you want to mitigate as much as possible. A good lawyer excels at helping you understand your risk so you can make the best decisions… it’s up to you to make the call on what your are willing to sign up for.

15. Read and understand anything + everything you sign. This seem obvious, is essential and yet way too often does not happen. All deals have some risk and you must understand how much risk you are assuming. A lawyer is great for highlighting where you are exposed so that you can make an informed decision. I always pay special, bonus attention to certain sections, like warranties, representation, indemnification and copyright sections.

Bonus: A good thing to remember is that contracts are a good sign… it means that you have new business opportunities and that is exciting.

Hope this list helps you navigate around a few headaches and onto the creative stuff you really want to be doing. Good luck.

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